Playwright Mara Elissa Palma and her complicated relationships

By WALTER ANG
July 27, 2017
Inquirer.net
http://usa.inquirer.net/5514/playwright-mara-elissa-palma-complicated-relationships

SEATTLE — Filipino American actor, director and playwright Mara Elissa Palma will be performing a one-woman show about words starting with the letter F.

Mara Elissa Palma. Photo by Sonia Xu.

"The tagline is `a first-generation Filipina finding her way through family, friends, and fantasy,'" she says. The work will be the result of her involvement in Intiman Theatre's Emerging Artist Program, an annual summer training series where she's one of 12 participants.

This year's theme is "illustrating the new American dream," where the participants will be creating and performing autobiographical pieces.

"I'll be tackling my own struggle with growing up under many strong female role models and coming into my own femininity using what they taught me," she says.

She'll also incorporate her complicated relationship with her father as well as "some other male figures in my life, who have not been positive influences."

"I will tackle how make-believe and imagination came to play a big part in who I am as a person."

Woman

Currently based in Boston, Massachusetts, Palma was born in Quezon City and moved to California with her family when she was six years old.

Her acting credits include "The Real Inspector Hound" for Bad Habit Productions, "House of Blue Leaves" for Wellesley Repertory Theatre, "Yellow Face" for Office of War Information, and in an all-female cast of "Winter's Tale" for Maiden Phoenix Theatre.

Palma has had one of her short plays, "Love Told Pain," produced. Other works include one-acts "Boston: A Morality Play" and "Octavia and Kleopatra," and short play "Civil Hands"; the latter two of which are expressions of her interest in historical and documentary-dramas.

Crazy

Palma discovered Intiman's program through a college friend who'd joined it last year. After filling out and sending in her application, she was called in for an in-person audition with this year's program co-curator and artistic lead, Sara Porkalob, alongside other Intiman Theatre officers.

"It was actually a really crazy process," she says of flying from Boston to Seattle to audition for the program while balancing her time between a show she'd been as she was working in her day job. "But sometimes that's the life of the artist! You've got to chase your dreams."

"I think about my family who picked up everything and left home to come to a new country, and moving from the east to the west coast isn't so scary when I put it into perspective."

Special

The distance away and available time from her usual routine has been helpful to her artistic process. "It's also been helpful to be working with a completely new artistic community because it means new people, new ideas, and new ways of doing things."

"Every single day has been incredible! I have never been part of an artistic community like this one where I feel like I am being celebrated, supported, and challenged every single time we meet."

She's also relishing the chance to work with another Filipino American theater artist (Porkalob's mother is Filipino). "This is a singular and extremely special experience because I've only had the chance to work with another Filipino American theater artist once. Never mind the opportunity to work with Asian American or Pacific Islander artists in leadership positions!"

"Isn't that mind-blowing? I didn't realize it was something I wanted, or needed, in my life until I got to Intiman. Sara Porkalob is inspiring in her work and leadership of our program, and I really see her as a mentor and role model."

Show

While the showcase will feature the participants' initial works-in-progress via five to eight minute excerpts, the objective is to help them build the foundations for full-length versions.

"The focus is on solo performance pieces and not so much `traditional' scripts. I'm leaving room for it to change as time goes on, as one often does with artistic pursuits."

"The dream is to someday be able to take that show to Seattle, the Philippines, and even London someday."

"By writing this solo performance piece, I hope to empower other immigrants, Filipino, Asian, and Asian American women of color to realize their voice matters and that they should tell their stories, too."

Free admission. Intiman Theatre's Emerging Artist Showcase runs Aug. 4-6 at Marleen and Kenny Alhadeff Studio Theater, Cornish Playhouse, 201 Mercer St., Seattle. Visit Intiman.org.

Visit Maraepalma.com.

Toronto’s Kultura Filipino Arts fest to offer food, music, shopping

By WALTER ANG
July 20, 2017
Inquirer.net
http://usa.inquirer.net/5377/torontos-kultura-filipino-arts-fest-offer-food-music-shopping

TORONTO — This year's Kultura Filipino Arts Festival, now on its 12th year, will be a three-and-a half-day celebration in various locations, with its last afternoon featuring food vendors, a marketplace and entertainment at the Daniels Spectrum building.

Kultura will start on Thursday, Aug. 10 at various sites in this city and culminate with the afternoon-long affair at the Daniels Spectrum building in the Regent Park neighborhood on Sunday, Aug. 13.

Entertainment at last year's Kultura Filipino Arts Festival.

"Contemporary and traditional Filipino culture will be showcased through performance art, visual art, dance, music, poetry, craft and cuisine," says Kapisanan Philippine Centre for Arts and Culture executive director Nicole Cajucom.

Organized by Kapisanan, last year's festival had an estimated attendance of more than 6,000.

Art and culture

Kicking off the festival will be an opening reception on Aug. 10 at Daniels Spectrum featuring an art exhibition of the works of participants of Kapisanan Centre's youth arts and culture workshops.

A party will follow at 10 p.m. that night at Cold Tea speakeasy on Kensington Ave.

Scheduled performances, publishing-related and art-related activities are listed at Kultura.ca.

Cuisine

The festival's "Kain Kalye: Filipino Street Eats Competition" on Aug. 13 will feature eight Filipino Canadian restaurateurs and food entrepreneurs.

Lasa by Lamesa (sister restaurant of Lamesa Filipino Kitchen), Dolly's Mojito Bar and Panciteria, and Paper Crane and Co. will offer savory selections.

Street-food inspired offerings from Kanto by Tita Flips and grilled skewers by Eskenita will also be included. Dahlia's will feature Mexican street food with Filipino flavors.

Sweet pastries such as cannolis, cupcakes and cheesecakes with traditional Filipino flavors such as ube (purple yam), buko pandan (coconut and pandan leaves), calamansi and mango will be provided by Filipino Fusion Desserts.

Next generation

Also included as a food vendor will be Kasama, a "food collective" composed of students who underwent Kapisanan's Ulam project from April to June.

Participants of Project Ulam.

The Ulam program taught participants Filipino culinary arts and related aspects such as cultural identity, family, peers, community, nation and homeland.

The group was trained by chef Dan Cancino of Lamesa Filipino Kitchen restaurant.

Shopping and entertainment

Also on Aug. 13, the festival's Kultura Marketplace will showcase Filipino Canadian artisans, craftspeople, and entrepreneurs including CocoVie Naturals, Fé Everyday Goods, Dee de Lara Jewelry, Tayo Collective and Export Express.

Shoppers and vendors at last year's festival.

Musicians and dancers will grace the Kultura Live! Stage to entertain festivalgoers.

Featured performers include Han Han (Haniely Pableo who raps in Tagalog and Cebuano); electronic-tribal music duo Datu (Alexander Junior and Romeo Candido); and modern-ethnic dance troupe Hataw.

Han Han collaborated with Datu and Hataw last year to make a music video of the lead track of her self-titled album. The uploaded video to her Facebook page had more than 678,000 views, not counting views from postings and shares by other pages and personal accounts.

Solo acts include hip hop artist Casey Garcia, indie folk-rock singer Darling Cora, and improvised electronic music artist Kyvita.

Music groups include neo-soul, R&B and jazz group Sol.Dust (vocalist and guitarist Charlotte Fabro with bassist and guitarist Chino) and jazz band JC3 (Jon Catanus, Cole Mendez, Peter Eratostene).

Filipino artists based in the US will also be performing: Detroit-based queer disco pop singer RV Mendoza and Los Angeles-based electronic, hip hop and world music DJ Gingee (Marjorie Light).

This year's festival has support from San Miguel Beer, Seafood City, Pacific Ark, Now Magazine, Toronto Arts Council, ArtReach Toronto, Ontario Arts Council and Canadian Heritage.

An orientation for volunteers will be held on July 27 at Artscape Youngplace (180 Shaw Street).

Kultura Filipino Arts Festival 2017 runs Aug. 10-13 at Daniels Spectrum, 585 Dundas St. East, Toronto. Visit Kultura.ca.

Yoga on YouTube, Fil-Am style

By WALTER ANG
July 19, 2017
Inquirer.net
http://usa.inquirer.net/5342/yoga-youtube-fil-style

KANSAS CITY, Missouri — If you've ever wanted to try yoga but wished for a more private way of doing it, you could always watch one of Maris Dimayuga Aylward's instructional videos on YouTube.

Maris Dimayuga Aylward in rajakapotasana or King pigeon pose.

Some of the entry-level styles or sessions she teaches include gentle/beginners yoga and hands-free or wrist-free sequences. Some are only 15 minutes long. Though longtime practitioners can also tune in for her full-hour power yoga sessions.

"I wanted to provide high quality online yoga videos for free," she says of the "Yoga Upload" channel she created in 2015.

"My intention was to help people who had limited resources to go to classes, those who lived in an area without easy access to yoga, and students who preferred to practice in the privacy of their own home."

When she was still living in the Philippines, she acted for the major TV stations and movie studio Star Cinema, as well as theater companies such as Tanghalang Pilipino. In addition, Aylward loved working out and going to fitness classes.

She started practicing yoga in 2003. "I was just curious in the beginning. I tried it and I was hooked!"

Change

Yoga transformed her life in many unexpected ways. "Starting a yoga practice and radically changing my diet and habits were among the best decisions I've made in my life.

Aylward is also an actress.

"As I practiced over the years, I learned how to nurture myself, to listen to my body, and to be simply grateful for whatever the present moment brings.

"Yoga started out as a physical activity and slowly evolved into a deeper practice that supports my psychological and spiritual growth."

YouTube

Aylward moved to Kansas in 2010. "My husband, Dave, is from here. He was a Peace Corps Volunteer in the Philippines when we met in 2007. We got married in Manila in 2008."

Upon arriving in the US, she studied to become a certified yoga instructor and started teaching in different studios.

She hosts "Arts Upload" on KCPT-PBS.

"It felt natural to transition into becoming a yoga teacher. I have a teaching background, having taught high school at St. Paul College (Pasig City, Metro Manila), and corporate training background."

She also currently co-hosts "Arts Upload," a weekly TV show on KCPT-PBS (Kansas City Public Television). The show features local artists and arts events.

"Aside from hosting the local TV show here, I also do acting for commercials and modeling for print ads."

Eventually, she started producing and uploading videos on YouTube. "Again, it felt like a natural transition to merge my yoga life with my background in TV, film and theater."

There are now over a hundred videos on the channel and more are added every month. Aside from the instructional videos, she also posts Q&A sessions where she talks about diet, yoga equipment and other related topics.

On her website, she's already created an option for users to download her videos onto their devices so they can watch even if they aren't connected to the Internet.

Visit Yogaupload.me.

Fil-Canadian playwright has 'lesson plants' in her works

By WALTER ANG
July 13, 2017
Inquirer.net
http://usa.inquirer.net/5199/fil-canadian-playwright-singing-plants-works


TORONTO - Filipino Canadian Jo SiMalaya Alcampo's play "Hilot Means Healer," a historical drama set in World War II recently received a staged reading by Cahoots Theatre.

Alcampo (center) looks on at guests touch the plants in her installation.

"Hilot Means Healer" is about a family's attempt to heal psychic wounds from atrocities during the Japanese occupation, through the touch of plants and hope found in the garden of a healer.

Held at Tapestry & Nightwood at the city's Distillery District, the reading was directed by another Fil-Canadian, Nina Lee Aquino.

"I believe that if we are to recover from the ecological crisis we have created on this planet, we need to understand that we are interconnected to the natural world and our actions have consequences," Alcampo says.

"I want to create work that invites people to imagine and embody a mutually respectful relationship with plants and other ecological beings."

The current iteration of the play is a result of Alcampo's playwright residency with Cahoots Theatre.

Playwriting

This was her second residency with the group. "Over the course of my residencies, I developed my play under the guidance of artistic director Marjorie Chan," she says.

Jo SiMalaya Alcampo.
Photo by Dahlia Katz

Alcampo had worked with Chan previously, when Chan taught playwriting to Alcampo and other members of the Filipino Canadian theater group Carlos Bulosan Theatre.

Their sessions resulted in Alcampo's one-act play "inviable heart" (a one-woman play that she also performed), and prior to that, another one-act that she co-wrote with other playwrights, "Tempting Remo."

Born in Manila, Alcampo's family moved to Scarborough when she was in the first grade. She'd been involved with CBT since the mid-'90s (then known as Carlos Bulosan Cultural Workshop), acting in or stage-managing shows.

"I co-directed 'Walang Sugat' with one of my mentors, Fely Villasin." (Villasin and Martha Ocampo founded the group originally to serve as the cultural wing of the activist group Coalition Against the Marcos Dictatorship's Toronto chapter.)

Purpose

Her residencies at Cahoots allowed Alcampo to work with other playwrights, providing her with a peer support group for exchanging theatrical ideas, sharing scripts and receiving feedback.

Cast of "Hilot Means Healer."

"The purpose of each residency was to explore different creation processes and nurture my growth as a professional playwright. During my 2015-2016 residency, I developed a script and workshopped the play for public reading," she says.

"It was very helpful to experience the play with an audience. However, I was left with many questions that I wanted to explore further."

Her 2016-2017 residency allowed her to workshop the play over a much longer period. "This gave me the opportunity to delve more deeply into the text."

Process

During the day, she worked with Chan and Lee Aquino and four actors (Lana Carillo, Belinda Corpuz, Matthew Issel McMillian and Keshia Palm).

Playwrighting was done at night. "I'd share rewrites the next morning and we'd explore the script further each day."

As part of developing her play, Alcampo was also able to incorporate songs and indigenous Philippine instruments such as kulintang gongs into the storytelling.

"I was grateful to work with such a musical cast who were willing to take risks with the script. The collaborative nature of the workshop and reading process really helped me grow as a playwright."

Plants

Next steps for "Hilot Means Healer" are still in the works; meanwhile, Alcampo has been telling other stories through her non-theater endeavors.

Alcampo also works on installation-based art and electro-acoustic soundscapes-where she extends her passion for plant life.

Last month, she had an interactive sound art installation at Evergreen Brick Works titled "Visitors: Singing Plants (Redux)," where potted banana plants were made to respond to human hand gestures by emitting soundscapes of Aboriginal chants, songs and spoken words.

"Plants have many teachings to offer us. When people reach out to plants and hear them sing the Hudhud chants of the Ifugao people, or immerse themselves in a play about a healing garden in the Philippines, my hope is that they, in their own way, feel some connection to these teachings."

She's also been working on a comic book about Canada's Filipino caregivers with illustrator Althea Balmes. The pair has teamed up with the Toronto Public Library to hold "Comics/Komiks Meet-Up," a once-a-week session for participants to network and develop their comics.

"This will be a space to meet other creatives and share resources in a supportive community," she says.

"Comics/Komiks Meet-Up" runs July 10-Oct. 30, Monday evenings at Lillian H. Smith Library, 239 College St., Toronto. Visit Lcpcomicbook.com/news.

Visit JoSiMalaya.com.

Gino Gonzales wins silver in 2017 World Stage Design

By WALTER ANG
July 7, 2017
Philippine Daily Inquirer

Gonzales' costumes designs for Dulaang Unibersidad ng Pilipinas' 2014 production of "Hakbang sa Hakbang" (Shakespeare's "Measure for Measure") won him the silver prize in the Professional Designers category at the 2017 World Stage Design (WSD) in Taipei, Taiwan.

Gino Gonzales.
Photo by Jethro Joaquin.

The Elizabethan-inspired, cream-and-brown-hued costumes were constructed using three grades of muslin (katsa), combined with indigenous materials such as raffia, abaca, sinamay and jute. Wigs and headwear were also made from abaca.

Costumes for "Hakbang sa Hakbang."
Photo by Vladimier Gonzales.

WSD is organized by the International Organisation of Scenographers, Theatre Architects and Technicians and is held every four years, showcasing works by set, costume, lighting and sound designers from around the world and chosen by an international screening panel.

Gonzales previously won the bronze prize for his set design for the opera "Spoliarium" for WSD 2005 held in Toronto, Canada.

READ about the other Filipino designers featured at World Stage Design 2017 here.

READ a previous profile of Gino Gonzales here.

READ previous coverage of Gino Gonzales here.

Inquirer.net link (posted July 6, 2017):
http://lifestyle.inquirer.net/267444/gino-gonzales-wins-silver-2017-world-stage-design

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SF’s Bindlestiff Studio to stage 3 Tagalog plays from Manila

By WALTER ANG
July 5, 2017
Inquirer.net
http://usa.inquirer.net/5015/sfs-bindlestiff-studio-stage-3-tagalog-plays-manila

SAN FRANCISCO - Filipino American theater group Bindlestiff Studio will stage "Tagalog 2017" this month at its theater on 6th Street, featuring a trilogy of one-act plays imported from Manila to be performed in Tagalog with English supertitles.

Poster of "Tagalog 2017"

"Changing Partners" written and composed by Vincent de Jesus is a "torch musical" about the May-December relationship between Cris and Alex.

The storytelling and staging twist involve two actors portraying each character, for a total of four actors in the cast.

Musical director is Rhoda Gravador. Current Bindlestiff artistic director Aureen Almario co-directs with Tonilyn Sideco.

Sibling rivalry

"Kung Paano Ako Naging Leading Lady" ("How I Came to Be the Leading Lady") by award-winning graphic novelist Carlo Vergara is about domestic help, sibling rivalry and shattered dreams. (Vergara has since adapted his play into a graphic novel and a full-length musical.)

Allan Manalo directs. Manalo and his spouse, Joyce Juan, took over management of the studio in 1998, developing its programming to focus on Filipino American performing artists.

Since then, Bindlestiff Studio has produced original plays, music festivals, stand-up and sketch comedy shows, dance, visual and video arts created by Filipino Americans.

Comedic

Just last May, the late writer Alex Tizon`s story "My Family's Slave," about his family's maid, went viral and sparked commentary and discussions on maids and servants in Filipino culture.

"The article in The Atlantic magazine is much heavier in subject matter and disturbing in many aspects. Unfortunately, it's a sad glimpse into issues of social class structures," says Manalo.

"The script given to me was meant to be humorous and doesn't broach the subject of abuse or even servitude.

"The premise of 'Leading Lady' is the idea of someone working as a 'housekeeper' at a superhero headquarters, akin to the Justice League headquarters in DC comics, leading to a role reversal plot twist.

"You place a character with a traditional role into an incongruent setting for comedic effect. For example, writing a play about the waiter at the Last Supper," he explains.

Solace in siblings

Dominique La Victoria's "Ang Bata sa Drum" ("The Child in the Drum") is about how a sister comforts her brother, who has been punished in a strange way.

Homegrown director Joe Cascasan, who has trained and acted with Bindlestiff for more than a decade, says he discussed the play's issues with his cast and they observed that "punishment or 'disciplining' in the Philippines would seem so severe here in the States."

Nonetheless, he believes that theatergoers who will catch the show will "be keen to know the cultural differences on being raised by a Filipino parent. But I can see some audience members being very disturbed on this matter, and I think that's fine."

"As a mischievous child myself, I have vivid memories of being punished by my yayas in the Philippines. I remember being put in a box a couple of times, similar to the character in the play who was placed in a water drum."

The first "Tagalog" production premiered last year. As with last year's selections, this year's line-up of plays are from previous installments of the Virgin Labfest, an annual showcase of new one-act plays that has been held in Manila since 2004.

Cast features Kathlyn Cabrera, Faye Denise, Richgail Enriquez, Nic Feliciano, Russelle McDermott, Ryan Morales, Jeffrey Ramos, Lee Robin Salazar, and Paula Sison.

READ previous coverage of Bindlestiff Studio here.

"Tagalog 2017" runs July 14-29 at Bindlestiff Studio, 185 6th St., cor. Howard St., San Francisco. Tickets at Tagalog2017.bpt.me. Visit BindleStiffStudio.org or Fb.com/BindlestiffStudio.

John Carlo Pagunaling's costumes make it to 2017 World Stage Design exhibition

Also featured are designs by Mio Infante, Gino Gonzales and Jethro Joaquin
By WALTER ANG
July 1, 2017
Philippine Daily Inquirer

John Carlo Pagunaling's costume designs for "Ampalaya the Musical" will be exhibited under the Emerging Designers category at the 2017 World Stage Design event in Taipei.

Pagunaling's costume designs for "Ampalaya the Musical."
Photo by Urich Calumpang.

Held every four years, the event showcases works from set, costume, lighting and sound designers from around the world, chosen by an international screening panel.

The works of Mio Infante, Gino Gonzales, and Jethro Joaquin will be exhibited under the Professional Designers category.

Pagunaling's costume designs for "Ampalaya the Musical."
Photo by Adrian Begonia.

Selected for exhibition are Infante's set design for "Rak of Aegis" for Philippine Educational Theater Association (Peta); Gonzales' costume designs for "Labaw Donggon" for Ateneo Entablado and "Hakbang sa Hakbang"/"Measure for Measure") for Dulaang Unibersidad ng Pilipinas (DUP); and Joaquin's sound design for "The Normal Heart" for Actor's Actors, Inc.

Training 

"Ampalaya the Musical" is based on Augie Rivera Jr.'s children's story "Alamat ng Ampalaya," on how the vegetable acquired its bitter flavor. It has music by Michael Dadap; libretto by Dadap and Patty Yusah. Music direction was by Elizabeth Vista-Suarez and direction was by Dessa Quesada-Palm.

John Carlo Pagunaling

Produced by Silliman University, the show ran in Dumaguete City in 2014 and 2015. It had a performance at the Cultural Center of the Philippines in 2015.

Pagunaling earned the 2014 Philstage Gawad Buhay for outstanding costume design for his work on Peta's "Rak of Aegis." Recent credits include Cornerstone Entertainment's "Ako si Josephine," DUP's "Faust," and Tanghalang Ateneo's "Boy" and "Kalantiaw."

Mio Infante's set design for Peta's "Rak of Aegis."
Photo courtesy of Mio Infante.

Born and raised in Bulacan, Pagunaling's interest in theater began in high school at St. Mary's College of Meycauayan, where he became president of its theater organization Sining na Malaya.

"My teacher, Ms. Adaon, recommended that I audition for University of the Philippines' theater arts program," he says.

Constantly learning 

Pagunaling credits his professors and mentors in college for grounding him in technique, efficiency and discipline. "A good teacher will produce a good student."

In college, he first did costumes for DUP's staging of "Tatarin." Apprenticing in set design under Tuxqs Rutaquio and director Jose Estrella for "Sepharad: Voces de Exilio" and in costume design under the late Ogie Juliano for a trilogy of Severino Montao one-acts steered him towards deciding on a future career in production design.

Gino Gonzales' costume designs for "Labaw Donggon."
Photo from Ateneo Entablado Facebook page.

His first break professionally was working as John Abul's associate designer for the costumes of Peta's "Care Divas."

Pagunaling strives to constantly learn more about his craft. He's taken clothing and textile classes at UP's College of Home Economics and is currently taking dressmaking classes at Slim's Fashion and Arts School. "I want to further enhance my knowledge and skills."

Commitment 

He says the decision to commit is the first step for any project. "If I'm willing to give my one hundred percent to a particular production, I'll join the team and finish the race whatever happens."

Gino Gonzales' costume designs for "Hakbang sa Hakbang."
Photo by Vladimeir Gonzales.

His process begins with reading the script several times. "I analyze it using Jacque Lacan's three psychoanalytic orders of symbolic, real and imaginary."

He stresses the importance of research as the backbone of design. "I always go to libraries, museums, galleries. I also use magazines, films, interviews and credible internet sites like Project Muse."

He then collaborates with the director and other designers (lighting, set, sound, etc.) to craft a "master symbol" or "master concept." "Then I translate that into costume designs."

Filipino exhibited entries in past installments of WSD include Jay Aranda's lighting design for "Turn Up the Quiet, Just Dance" and Gonzales' set design for "Spoliarium" (bronze prize) for WSD 2005 in Toronto, Canada; and Jed Balsamo's sound design for "Amihan" and Joaquin's sound design for "Hamlet" for WSD 2009 in Seoul, Korea.

"World Stage Design 2017" runs Jul. 1-9, Taipei National University of the Arts, Taiwan. Visit WSD2017. com.

READ about Filipino theater designers featured in 2015 intl exhibitions in Prague and Moscow

READ about Mio Infante's design process for the set of Peta's 'Rak of Aegis'



Inquirer.net link:
http://lifestyle.inquirer.net/266949/john-carlo-pagunalings-costumes-make-2017-world-stage-design-exhibition/

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Monthly Fil-Am night market to start in SF’s Filipino Cultural District

By WALTER ANG
July 1, 2017
Inquirer.net
http://usa.inquirer.net/4937/monthly-fil-night-market-start-sfs-filipino-cultural-district

SAN FRANCISCO — Undiscovered SF, a monthly Filipino American night market aimed at jumpstarting several Fil-Am enterprises, will kick off in August at the San Francisco Mint.

Desi Danganan

Guided by a young, Manila-born entrepreneur, the market is envisioned to feature fashion and accessories, technology products, handicrafts and housewares, artwork, health and wellness products and even social activism organizations.

Food vendors, thus far, include Janice Dulce's F.O.B. Kitchen, Ronnie Taylor and Tim Luym's Alchemy SF, Deanna Sison Foster's Mestiza Taqueria, Kristen Brillantes and JP Reyes' Sarap Shop, and Jay-Ar Isagani Pugao's No Worries Cuisine. Sweet offerings include Jason Angeles' FK Frozen Custard and Sugar and Spun.

"We're calling all artists and merchants to join us in jumpstarting a new Filipino American renaissance," says Kultivate Labs Executive Director Desi Danganan.

Free entertainment will be provided, including music, urban dance, DJ sets, spoken word and even martial arts.

Organized by Kultivate Labs, a non-profit organization that mentors aspiring entrepreneurs, the night market aims to jump-start the economic activity at and create public awareness of SOMA Pilipinas.

SOMA (South of Market) Pilipinas was designated as the city's Filipino Cultural District last year. It stretches from 2nd St. to 11th St., bordered by Market and Brannan streets.

Incubate

"We're looking for entrepreneurs, businesses and organizations from the Fil-Am community who want to showcase their brands and represent the versatility of our community," says Danganan.

One of the objectives of Undiscovered SF is to allow Kultivate Labs to identify emerging business ventures and assist in accelerating their growth.

Selected vendors will be given mentorship and workshops on topics such as branding, accounting, legal, crowdfunding, etc.

"Our vendors will all be in different stages in the lifecycle of their business and we'll adapt our services to meet their needs. Once we know who the A players are, we'll set them up for long term growth opportunities.

"This way, we can begin to populate SOMA Pilipinas with a new wave of Fil-Am entrepreneurs that are financially resilient and can adapt to the market needs to all San Franciscans, and not just a small segment of our community," explains Danganan.

Need for assistance

Kultivate Labs was established after a survey of Fil-Am entrepreneurs revealed that there was no organization to facilitate their success.

"There's a host of non-profit business incubators out here in San Francisco, but what makes us different is our laser focus on the Fil-Am community and our innovative programs that build on the foundational programs of our partner organizations like Renaissance Entrepreneurship Center," Danganan clarifies.

Danganan is also the Economic and Workforce Development chair for SOMA Pilipinas. He previously opened a restaurant and a café before starting his own business mentoring consultancy, Plinth Agency, and has more than a decade's experience of helping grow business in the food, music and technology areas.

"Kultivate Labs is my way of giving back to our community. It's been a personal passion of mine to help the cultural district succeed."

Community

Born in Manila and raised in West Covina, California, Danganan moved to San Francisco in 1999. He has seen the city's struggles with economic forces that result in gentrification and displacement as well as "the class wars that were dividing the city between the haves and have-nots."

"We're all chasing the American Dream. But with great privilege comes a responsibility to be a good neighbor, to find ways to bridge the gap."

"The media likes to portray entrepreneurship as a surefire way to success. It's not. It's extremely tough." Nonetheless, he says that business doesn't need to be cutthroat and winner-take-all.

"We can all come up together. SOMA Pilipinas is a once in a lifetime opportunity for entrepreneurs to fulfill the dreams of our forefathers before us that came to the US to build a better life, to stake a claim in the American Dream. There's room for all us to prosper and thrive."

"If all goes according to plan, by the 2020s, we'll have a vibrant commercial corridor filled with new Fil-Am restaurants, cafes, retail concepts, innovative placemaking initiatives, outdoor markets, etc., for all of San Francisco to enjoy."

"Undiscovered SF" launches on Aug. 18, 2017 and will then be held every third Friday thereafter at The San Francisco Mint, 5th St., San Francisco. Visit UndiscoveredSF.com.

Fil-Canadian Anthony Raymond Yu directs queer staging of 'Dog Sees God'

By WALTER ANG
June 28, 2017
Inquirer.net
http://usa.inquirer.net/4879/fil-canadian-anthony-yu-directs-queer-staging-dog-sees-god

TORONTO — Filipino Canadian Anthony Raymond Yu has founded a new theater company, rejznkliv, and is directing a queer and colored staging of "Dog Sees God: Confessions of a Teenage Blockhead" for its inaugural production.

Anthony Raymond Yu

Bert Royal's dark comedy imagines familiar characters from the Peanuts comic strip as teenagers dealing with issues from identity to sexual abuse.

While the original comic spawned a musical, "You're a Good Man, Charlie Brown," and a recent animated film, "The Peanuts Movie," this particular play is pegged as an "unauthorized parody."

The production will be performed for the Hamilton Fringe Festival. This year's festival features more than 40 groups staging musicals, dance, comedies, magic shows, dramas and family entertainment in more than 300 performances across 11 days in the downtown Hamilton area.

Direction

"The direction I'm taking it in is pretty different from the ones I've heard of and seen," Yu says.

"What's neat about the script is that, except for one word, nothing indicates what each character's race should be.

Yu stages a queer and colored "Dog Sees God."

"I've cast actors who are mostly of color, with the majority of them identifying with the LGBTQ+ community."

Out of the cast of eight, four are ethnic minorities: Filipina, Jamaican and Vietnamese; and six identify with the Queer community. An actor of Indigenous Canadian heritage had originally been cast but had to drop out of the production.

"They'll bring the issue of same-sex relationships between ethnic minorities to the forefront, which you very rarely see in theater and film."

Proud

"As a gay director, I want to see people like me onstage, telling our story for the Queer community. I want us to know that we should never be held back because of our sexuality. I want us to be proud of who we are.

His theater company's name and its spelling "was inspired by the International Phonetic Alphabet spelling of my favorite English words: 'raze' and 'raise,' to destroy and to build, and 'cleave,' to cut apart or to stick together."

"I found it fascinating how a pair of words can sound the same, and yet mean their exact opposites. Along with inspiring the company name, these sets of words are the foundations of rejzndkliv's goal, which is to break down walls and build bridges to overcome what divides us and bring us together."

Process

Born and raised in Charlottetown, Prince Edward Island, to Filipino immigrants, Yu was drawn to theater in high school, having acted in "The Wizard of Oz" and "Honk!"

He went on to study acting at Sheridan College and theatre and drama studies at University of Toronto and has since worked with groups such as Filipino Canadian theater company Carlos Bulosan Theatre.

He had noticed in his own experiences with auditions that, unless a company was looking to fill ethnically specific roles, Asians and other actors of color rarely showed up.

Stereotypes aside, he notes that gender and sexuality are not immediately known. "And of the queer people I've met at auditions and shows, very few are from ethnic minorities."

After sending out audition notices highlighting his search for these kinds of actors, the results gave him new insights to work with.

Learning

Yu reports that of the people who auditioned for his play "approximately 80 percent identified with the Queer community; only one identified as non-binary; none were trans; and no more than 25 percent were of ethnic minorities."

These statistics filled him with questions. "What prevents actors of underrepresented communities from auditioning? Are the methods of outreach inadequate? Could it be that some queer actors of color are not out due to cultural stigma, and auditioning for a queer play would immediately out them?"

He decided to open his criteria to include allies: "For actors who can't be open with their gender or sexuality, but wish to be among people they identify with."

"When it comes to playing gay characters and interracial couples, many ethnic communities still experience deep-seated homophobia. Although we can't change the script to address race and homophobia, I'm certain the presence of ethnic diversity and inclusion in queer theater will help start the conversation."

"Being a gay Filipino Canadian, I really want Filipinos and other people of color who identify with the Queer community to come see the show."

rejzndkliv's production of "Dog Sees God" runs July 20-30 at The Players' Guild of Hamilton, 80 Queen Street S., Hamilton, Ontario. Visit Fb.com/rejzndkliv.

How PJ Rebullida is training a band of actors to become high-kicking "Newsies"

By WALTER ANG
June 24, 2017
Philippine Daily Inquirer

In 9 Works Theatrical's upcoming staging of "Newsies the Musical," only the book (script), lyrics and music must be followed. All other aspects of the show (direction; designs for costumes, set, lighting, etc.) must be created from scratch.

Patrick Rebullida

"We can't do what they did on Broadway," says the show's choreographer Patrick Rebullida. "We have to create and are required to have our own vision."

The musical is about boys who sell newspapers on the streets of 1899 New York City and their strike to challenge the low wages paid to them by publishers.

With music by Alan Menken ("Little Mermaid," "Beauty and the Beast"), lyrics by Jack Feldman and book by Harvey Fierstein ("La Cage aux Folles," "Kinky Boots"), the musical is based on the 1992 Disney movie.

Tough

Rebullida's been working with director Robbie Guevara and the rest of the artistic team to build the show.

"We began by discussing who and where the newsies are in the whole scheme of things. Where do they come from? How do they live? What are all the aspects that led to a successful strike?"

"These kids are survivors, they are tough. They made the headlines by coming together and fighting a system that did not value them."

The performers who've been cast for the show -- a 21-member cast of "newsies" that include Gian Magdangal, Jef Flores and Ariel Reonal -- also have to be tough. They had to undergo and pass a six-week boot camp Rebullida put together that included ballet, jazz and gymnastics.

For fun

"I never meant to be a choreographer nor an artist." He directed and choreographed small and amateur shows when he was still in school, "but it was all just for fun and for extra-curricular events."

He'd geared himself for life in the corporate world, applied to an IT firm in Ortigas and promptly quit on his second day. "I couldn't take being cooped up in the office. I went to Megamall to watch a movie and soul search. There I saw a Triumphant People's Evangelistic Theater Society (Trumpets) Playshop poster for Adult Musical Theater."

Choreographer James Laforteza spotted him during the workshop and gave him a scholarship to take up jazz, ballet and modern dance at Steps Dance Studio. "The little boy who would make his friends dance to the 'Macarena' back then was always in me."

"I was old at 22 to even start, but with hard work and inspiring guidance, I became a full-fledged dancer."

He went on to perform for groups such as Repertory Philippines and Trumpets; and eventually danced for Ballet Philippines and Germany's Ballet Lüneburg.

He started choreographing while he was in Germany and continued to do so upon returning to Manila, working with groups such as Red Turnip and Stages.

He received the Philstage Gawad Buhay for outstanding choreography in a musical for 9 Works' "American Idiot." He'd competed against himself with another nomination for "A Christmas Carol."

Signature steps

He admits that the first few weeks of choreographing "Newsies" were difficult. "All the signature steps from the Broadway staging are off-limits. I had to provide my own solutions to the demands of the story."

He credits teamwork to paving the way. "The more we worked, the clearer the path became. The dancing must be driven by intent. What do we want to push forward?"

In addition to ballet and jazz movement, Rebullida is including tap and boxing moves into the dance vocabulary. Though he says even he doesn't know how it will turn out exactly just yet.

"We're still in the creative process. We might throw everything out after a week and go for something completely different."

"We're all excited. We want to put on a great show. Despite all the pressure, I'm taking my cue from the newsies: 'We will carry the banner, persist and seize the day!"

Daniel Bartolome is musical director; Ed Lacson, set designer; Eric Pineda, costume designer; Martin Esteva, lighting designer; GA Fallarme, video and projection designer; Myrene Santos, hair and makeup designer.

"Newsies the Musical" runs July 7-30 at Globe Iconic Store, Bonifacio High Street Amphitheater, Taguig. Visit go.globe.com.ph/newsies or Fb.com/9WorksTheaterical.



Inquirer.net link
http://lifestyle.inquirer.net/266156/pj-rebullida-training-band-actors-become-high-kicking-newsies/

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These boots are made for dancing: the Manila shoe studio that makes theater footwear

Atlantis Theatrical's 'Kinky Boots,' opening June 30, is just one of many local shows depending on one plucky shoemaking company in Cubao for its costume footwear

By WALTER ANG
June 17, 2017
Philippine Daily Inquirer

How does a failing shoemaking factory save itself? By making stiletto-heeled boots for men.

The musical "Kinky Boots" is about cabaret performer and female impersonator Lola helping shoe factory owner Charlie Price keep his business afloat.

Wilson Shoes is fabricating the footwear for "Kinky Boots."
Photo by Alexis Corpuz.

Atlantis Theatrical Entertainment Group (ATEG)'s upcoming production of the musical will have Nyoy Volante as Lola and Laurence Mossman, originally from New Zealand, as Charlie.

The Tony-winning musical (including Best Musical and Best Score), with music and lyrics by Cyndi Lauper and book by Harvey Fierstein, is based on the British film of the same title.

It starred Chiwetel Ejiofor ("Dr. Strange," "12 Years a Slave") as Lola and Joel Edgerton ("Revenge of the Sith," "Great Gatsby") as Charlie. The movie, in turn, was inspired by true events featured in a BBC2 documentary.

ATEG's founding artistic director Bobby Garcia helms the musical, with musical direction by Molinder Cadiz.

Costumes were originally to be designed by couturier Pepsi Herrera, who died earlier this year. He'd designed or co-designed costumes for Atlantis' "Jersey Boys," "Disney's Aladdin," "Addams Family" and "Rock of Ages."

Raven Ong stepped in to take over the task. Ong's recent credits include Repertory Philippines' "Alice in Wonderland" and "Producers," Atlantis' "Carrie," Dulaang Unibersidad ng Pilipinas' "Collection" and Red Turnip's "Closer."

In the musical, Charlie observes that existing high-heeled boots aren't constructed to hold a man's weight; working with the drag queen Lola, his factory switches from producing drab working men's boots to fab show footwear.

Wilson Shoes

In real life, fabricating the 48 pairs of shoes (17 pairs of dance shoes, 10 half boots and 21 thigh-high boots) for the cast fell into the hands of Alex Ng, head of Wilson Shoes-where his 20 shoemakers craft bespoke footwear.

Laurence Mossman and Nyoy Volante

Ng's father, Ng Tiam Tiong, founded Wilson Shoes in the late '70s. "After working as a sales agent for a big shoe factory, he decided to open his own," recalls the son. It supplied local stores like Shoemart (now SM) and Cinderella and even exported to clients abroad.

Mirroring the tenacity of the musical's factory, Wilson Shoes has had to adjust to market forces over the years and reinvent itself from factory to atelier. It eventually downsized and rechanneled its output to cater to theater, TV and movie productions. (It also services brides/grooms and wedding entourages, and fashion designers for their one-off couture shoes).

And just as Charlie inherits the factory from his father, the Ng siblings all learned the trade from their father. "It started when we were still young, helping make patterns, drawing designs, making molds, cleaning the shoes," says Alex.

Theater connection

The theater connection began with Ng's late eldest brother, for whom the factory was named. He'd started servicing TV and film celebrity clients and got to know Rep's founders Zeneida Amador and Baby Barredo, which led to building costume shoes for theater.

Wilson Shoes worker.
Photo by Alexis Corpuz.

Wilson Shoes' show credits span different time periods and cultures.

Fantasy? Check. They built the boots for various incarnations of Darna, from Anjanette Abayari and Nanette Medved to Angel Locsin and Marian Rivera.

Medieval? Check. Rep's "Camelot." American depression era? Resorts World Manila's "Annie." '70s disco? Platforms and chunky heels for Atlantis' "Saturday Night Fever."

Functional and fanciful? Army boots for "Cabaret" and "The Producers;" "glass" shoes embellished with real Austria Swarovski clear crystals for "Cinderella;" Native American moccasins for "Peter Pan," and gold slippers for "The King and I."

Let's not forget the nonhuman characters-ogre feet and donkey hooves for "Shrek" and enlarged clawed beast feet for "Beauty and the Beast."

It also did the shoes for Rep's recent 50th anniversary concert, "Rep: 50 Years of Telling Stories," and is crafting those for 9 Works Theatrical's "Newsies the Musical" (opens July 7).

Glittery and colorful

For "Kinky Boots," the titular footwear will be built to look "shiny, glittery and colorful based on Raven's designs," Ng says, listing materials such as leatherette, patent, snakeskin and embellishments like lace and crystals.

The challenge, he says, is to make the male actors' typically bigger feet and leg sizes fit into the silhouette of typically smaller ladies' thigh-high boots, and making sure the actors can dance in them.

"The toes are on platforms and the stiletto heels will be at least four inches. They have to be sturdy and strong."

Choreography by Cecile Martinez, set design by Faust Peneyra, lighting design by Adam Honoré, sound design by Kevin Heard, wig and makeup design by Johann dela Fuente.

READ previous coverage of Atlantis Theatrical Entertainment Group here.

"Kinky Boots" runs June 30-July 23 at Romulo Auditorium, 4/F RCBC Plaza, Makati City. Visit Ticketworld.com.ph or Fb.com/ATEGasia.

Inquirer.net link
http://lifestyle.inquirer.net/265574/boots-made-dancing

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Mail-Order Pride: Fil-Am baker sends Filipino pastries to foodies in the US

By WALTER ANG
June 16, 2017
Inquirer.net
http://usa.inquirer.net/4507/mail-order-pride-fil-baker-sends-filipino-pastries-foodies-us

LAS VEGAS — First, a list of ingredients and flavors usually associated with the Philippines: mango, jackfruit, calamansi, pandan, tamarind, coconut, macapuno (gelatinous coconut meat), matamis sa bao (caramelized coconut jam), ube (purple yam), cashews and chocnut (peanut-milk chocolate bar).

Buko pandan caramel being piped on to sugar cookies. 

There are also egg or milk-based treats: leche flan (flan), yema (custard candy), dulce de leche (caramelized milk) and milk candies like powdery polvoron and chewy pastillas.

Second, a list of pastry vessels: cookies, cupcakes, poptarts, twinkies, snickerdoodles, madeleines. Non-pastry carriers include truffles, mallows, popcorn and lollipops.

Gregory "Greggy" Soriano combines one to two items from the first list into varying iterations with the second and sends them off to foodies in the US and Canada with his pastry subscription box service, Flip Crate.

Inspired

"We love to change things up every month with exciting new treats," says Soriano, who was born in Glendora, California, to Filipino immigrants.

Greggy Soriano

He loves to come up with something new with each batch. Matamis sa bao (coco jam) brownies topped with pink Himalayan salt, anyone?

Soriano set up the business last year with his family. "We were inspired by all of the subscription services trending in the e-commerce world," he says.

"There are subscription boxes for make-up lovers, foodies and even pets! We thought, `Why isn't there one for Filipino snacks?'"

Family

"My parents are both amazing cooks. I grew up learning how to bake and cook all of the traditional recipes, passed down through generations."

As a child, Soriano religiously watched with his father the TV show "Cooking Secrets of the CIA (Culinary Institute of America)," which is where he eventually went to study

Currently based in Las Vegas, he has lived and worked from coast to coast. He has appeared on the TV competition show "Cake Boss: The Next Great Baker" on TLC and previously owned a cake shop in Jersey City.

He has a presence online as well, teaching baking tips and tricks on his Youtube channel "Greggy's Digest."

Frankenfoods

"Each batch is limited and exclusive. My mind is always running with fun, creative ideas for desserts and dishes."

Soriano runs Flip Crate mail-order company with his family. 

Soriano says one of the reasons he put up the service was because he wanted to use standard recipes and techniques to develop "exciting, contemporary treats using Filipino culture" as his inspiration.

"We were also inspired by the delicious and fun Filipino `frankenfoods' that are trending in local Fil-Am bakeries and restaurants," he says.

Soriano's own arsenal of 'frankenfoods' include chocnutella, a combination of chocnut and Nutella, and typically "American" flavors such as cookie butter (aka Speculoos), pumpkin spice, and pecan pies making combination appearances here and there in traditional Filipino pastries.

Access

Another reason Soriano factored in when he started the service was his market's proximity to these kinds of treats. "Not everyone has access to a Cafe 86, Manila Social Club, or even your standard Valerio's bakery."

And not everyone can bake, even if they happen to live in areas with access to Asian ingredients.

Flip Crate imports its fillings and flavoring ingredients from the Philippines (eggs, dairy and pantry staples are sourced in the US) and hand-prepares and bakes the items that go into the boxes.

While the word "flip" has been used in the past as a derogatory term for Filipinos, Soriano dispels any negativity. "I actually grew up with it being a positive term associated with Filipinos."

He says the name was chosen to be welcoming, current, unique, quirky and fun.

Happy

"It's time for our beautiful culture to be shared with everyone out there. We want to show how awesome it is to be Filipino and we want to familiarize everyone with yummy Filipino flavors."

"I want to unite us all and show that we're quite proud to be who we are and that some of us do actually know our roots and traditions. The only way I can think of doing that is through food."

His efforts have already gained many non-Filipino customers. "They either have a Filipino friend or partner or have had Filipino food in the past and wanted to try out our crates."

He's even had inquiries from, of all places, the Philippines. "We unfortunately don't offer shipping overseas as of yet.

Soriano is happy to report that they've received positive feedback. "We constantly get long, heartfelt letters, thanking us for paying tribute to our culture and how they're enjoying the goodies."

He says love is an important ingredient. "We just love packing our boxes. It feels like we're packing itty-bitty pasalubong or Balikbayan boxes for our loved ones. As Filipinos, we love giving gifts to people. It's just who we are.

"There's a bit of work to do for Filipino food to gain popularity in the foodie scene, but hopefully, we're contributing to that, one Flip Crate at a time."

Visit FlipCrateFoodie.com.

Fil-Am actors play homicidal couple in musical thriller 'Sweeney Todd' in Seattle

By WALTER ANG
June 15, 2017
Inquirer.net
http://usa.inquirer.net/4484/fil-actors-play-homicidal-couple-musical-thriller-sweeney-todd-seattle

SEATTLE — Filipino American actors Ben Gonio and Corinna Lapid Munter play a murderer and an evidence-eliminating accomplice, respectively, in "Sweeney Todd, the Demon Barber of Fleet Street," ongoing until July 1.

Ben Gonio as Sweeney Todd.
Photo by John McLellan.

Staged by ArtsWest Playhouse and Gallery, this musical thriller follows Sweeney Todd (Gonio) as he returns to London to exact revenge on corrupt officials, aided by pie-maker Mrs. Lovett (Lapid Munter). Music and lyrics are by Stephen Sondheim and book is by Hugh Wheeler.

Co-directors Mathew Wright (who is also ArtsWest's artistic director) and Eric Ankrim have developed a bold vision for "Sweeney Todd" that places race, oppression and power squarely at the forefront of this new telling, says ArtsWest in a statement.

The show has been multiracially cast and includes black, Latino and white actors.

Right time

"We've had standing ovations in all our shows thus far and upcoming shows continue to be sold out," reports Gonio, who felt "honored, humbled and elated" when he found out he had been cast for the title role.

"I submitted a video audition very late in the casting process. Apparently, they were having trouble casting the role, so I suppose I came around at the right time!"

He's appeared on TV shows like "The Librarians" and "Grimm." Recent theater credits include lead roles in "It's A Wonderful Life" and "Love Letters."

Precise

A coloratura soprano (and belter), Lapid Munter had been cast in the ensemble of a 2005 staging of this musical where she immediately fell in love with Sondheim's music.

Corinna Lapid Munter as Mrs. Lovett.
Photo by John McLellan.

"Just singing the ensemble music was so thrilling, so difficult, so challenging. You have to be precise and that's what I like," she says.

The music wasn't the only thing she fell in love with. The Lovett role was a revelation to her, though she never thought she would ever get to play it.

When she found out she was cast as Lovett for this production, "I was thrilled, shocked, surprised, dumbfounded!"

Recent theater credits include Abuela Claudia in "In the Heights" and Christmas Eve in "Avenue Q." Opera roles include Mercedes in "Carmen," Hansel in "Hansel and Gretel," and Rosina in "The Barber of Seville."

Pie

Partial to apple pie a la mode, Gonio was born in the Philippines (Malabon, Rizal) and moved to the US when he was eight years old.

Lapid Munter, on the other hand, was born in Connecticut to Filipino immigrants. "I love peach and blueberry pie. And I must say, I make an amazing chicken pot pie!"

When asked if pork adobo or pork sisig would make a better filling for a savory pie, both voted for adobo.

Another thing they have in common is that performing runs in their respective families. Each has a relative that's popular in Philippine showbusiness: singer/recording artist Gary Valenciano is Gonio's maternal cousin; actor/politician Lito Lapid is Lapid Munter's uncle.

Humanity and relevance

Levity aside, both actors have chosen to ground their characters by tying into their humanity.

Gonio says, "If I were pushed to a point where my family and my child were taken away and I was hauled away for no reason, how would I react?"

Lapid Munter says, "Mrs. Lovett just wants what everybody else wants: a nice life, to be happy, to share that life with somebody. It sounds pretty simple but not everybody has that. And that's what she yearns for."

Both also highlight the relevance of the material in present times.

"It's more relevant today than ever," says Gonio. "If you really peer into the thematic elements like class systems and oppression, it's all grounded in that simple story of a father who has been unjustly wronged."

Munter agrees. "In society, there's always the upper class who will step on the lower class. We can all relate to that feeling of being wronged and wanting to be vindicated. [This story] is always going to be relevant."

Music direction by Matt Hohensee, sound design by Kevin Heard, choreography by Trina Mills, costume design by Siri Nelson, set design by Christopher Mumaw, lighting design by Tristan Roberson.

"Sweeney Todd" runs until July 1, 2017 at ArtsWest Playhouse and Gallery, 4711 California Ave SW, Seattle. Visit Artswest.org.

Fil-Am comedian Ron Muriera helps keep San Jose Stage Company running

By WALTER ANG
June 7, 2017
Inquirer.net
http://usa.inquirer.net/4230/fil-comedian-helps-keep-san-jose-stage-company-running

SAN JOSE, California — Filipino American Ron Muriera is San Jose Stage Company's new development director. He's a stand-up comedian, but this new gig is no laughing matter.

Enrico Roselli, Filipino lounge accordionista,
the alter-ego of Ron Muriera.

Muriera is responsible for raising funds for the group, which includes researching for available grants and preparing the proposal applications. He also handles donor relations, which includes reaching out to potential donors and cultivating relationships with them.

He first became involved with The Stage in 2011 as a grants consultant. "I was working with my longtime friend, Filipino American playwright Jeannie Barroga, on her production of `Buffalo'd.'"

After the play ended, he was asked to stay on as a consultant for both fundraising and educational outreach. The position of development director was offered to him last year.

"We hope to announce The Stage's 2017-2018 season line-up very soon," he says. "The Stage's artistic director Randall King has been working on putting together a powerful season to commemorate our 35th anniversary as the anchor arts organization in the SoFA (South of First Area) District."

Comic

If the position and work involved conjures an image of a straight-laced and serious person, it may surprise people to know that Muriera does stand-up comedy, among many other performing pursuits.

"I still perform every once in a while, most recently at Local Color and the San Jose Improv a few years ago as part of the Filipino Kingz of Comedy Tour, a special fundraiser benefit show for victims of Typhoon Haiyan in the Philippines." He performs using an alter ego: Enrico Roselli, Filipino Lounge Accordionista.

Ron Muriera

He started his stand-up comedy career during his student days at San Francisco State University, trying his hand at clubs like Holy City Zoo, The Other Cafe and The Punch Line. "I was probably one of the younger would be stand-up comedians at age 18 at the time."

He became one of the founding members of Fil-Am comedy troupe Tongue In A Mood, whose other founders include Kennedy Kabasares, Rex Navarette and Allan Manalo (who went on to reconfigure Bindlestiff Studio in San Francisco into a Filipino American performance venue and theater group).

Theater

Muriera became involved in theater work by way of a professor and a classmate. "My Filipino American Studies instructor, Oscar Peñaranda, announced auditions by the Asian American Theater Workshop (which later became the Asian American Theater Company) for two one-act plays that he had written."

Cast of San Jose Stage Company's "Toxic Crusader."

His friend wanted to go, but not alone. He agreed to accompany her. "The director asked if I was auditioning and I said 'No.' She convinced me to read for one of the roles and to sing a song.

"My friend was not called back." But he ended up being cast in three roles between the two plays.

"It would be through AATC that I would get a scholarship to attend the American Conservatory Theatre, which provided me with the professional training to become an actor."

He divided his time in college with theater training, working part-time, and doing stand-up comedy. "Being a young man with a lot of energy, I was able to pursue all these simultaneously!"

Community

The energy is still there and he's still involved in several endeavors all at the same time.
Aside from performing, he has more than 15 years of experience working in the non-profit sector.

In addition to his work with San Jose Stage Company, he's been an arts commissioner of the San Jose Arts Commission since 2013 (the first Filipino American to be appointed the position) and is currently chair of its Public Arts Committee.

He's also a national trustee for Northern California of the Filipino American National Historical Society.

Better world

Born in Trenton, New Jersey and raised in Wahiawa, Oahu and San Francisco, Muriera moved to San Jose in 2006.

"Like my mother, the late Dr. Helen Bautista Muriera, who was a physician for over 30 years in San Francisco, I follow in her steps as an active and committed advocate in service to not just the Filipino and Filipino-American community, but across all communities."

How does he find the time and energy to be involved in all these groups? "There's really no secret. I make time for those issues and concerns that I'm most passionate about: the arts, culture, education, social justice and community."

"As a father of a six-year-old daughter and a three-year-old son, I always remember that at the end of the day, what's most important is family. What propels me to do what I do in the community is wanting to ensure that we have a better world for my children and future generations."

San Jose Stage Company's staging of the musical "The Toxic Avenger" closes its 2016-2017 season. Based on the film of the same title, the musical is about how Melvin Ferd transforms into the superhuman mutant Toxic Avenger, saves the day and wins the heart of a blind librarian.

"The Toxic Avenger" runs June 7-July 23 at 490 S 1st St., San Jose, California. 
Visit TheStage.org or Fb.com/SJStage.