Gerry "Mr. Ube" Chua approaches life and work with gratitude and grace

Gerry Chua approaches life and work with 
Gratitude and grace
By Walter Ang
March-April 2009 issue
Asian Dragon Magazine

To fans of ube hopia, the man who invented it is endearingly and simply known as Mr. Ube. Gerry Chua, the man behind the delectable delicacy, is owner and manager of Eng Bee Tin Chinese Deli, a small empire that counts several branches in Manila and exports its products all over the world.

Rotund and gregarious, Gerry also owns Chuankee Eatery, a popular restaurant offering humble Fujian staples like fish soup and kiampong (salted rice with mushrooms and peanuts); Café Mezzanine, a coffeeshop whose profits are donated to the Binondo and Paco Volunteer Fire Search and Rescue Brigade; and, recently, Mr. Ube, a tony restaurant featuring noodles as its main draw.

The tale of Gerry's success is the stuff of television soaps and is a testament to his tenacity and conviction. In the early 1900s, Chua's grandfather Chua Chiu Hong, a farmer from China who came to the Philippines for new opportunities, opened Eng Bee Tin (Ever Precious Beauty) Hopia Factory in Ongpin Street, Binondo, Manila.

Management was eventually passed on to Gerry's father Benito, under whose watch the business fell on hard times in the 80s. Gerry, then 18, was a management major at Philippine School of Business Administration (PSBA) when he took over a family store that was losing out to competition, had mounting debts, and was near bankruptcy.

Bankrupt
"No want wanted to lend us any money. This is a small community, once word is out that your business is failing, everyone avoids you," Gerry says. "In times of crisis, you'll find out who your real friends are. I had to be self-reliant, I had to do everything. I was manager, baker, cashier, and delivery boy. I traveled as far as Cavite and Quezon just to deliver our products. I still have scars on my arms from all the baking I used to do."

One of his lowest points was being denied an extension for the cut-off time for cheque clearing in one of the local banks, an incident that reduced him to tears inside the bank. "It was that bad, that I had to wait to see if I could sell a bit more after lunch to see if I could earn the money to pay off cheques that I had issued," he says. "It pushed me to work even harder."

Fortunately, a friend gave him an unsolicited loan that helped him survive. He used the infusion to initiate changes to their flagship product. "Instead of using lard, I switched to corn oil, which is healthier," he says. Something was still lacking, however, and it was a fortuitous visit to the grocery store across the street that finally introduced him to his magic ingredient.

Serendipity
"I hung out at the grocery store because it had airconditioning," he laughs. "I found out that the most popular ice cream flavor at the time was ube." Hopia only came in two flavors then, mung bean and pork. Chua bought six bottles of ube halaya, went to his kitchen, and concocted what would become the now famous ube hopia.

It didn't catch on right away, however. "People laughed at me, they mocked me, they called me crazy," he says. The big push came in the form of television exposure through the defunct show Citiline of Cory Quirino. "The day after the episode aired, my phone rang the whole day from people who wanted to order," he says.

He also relentlessly peddled his new product to a hopia exporter who constantly rejected his offers. "I finally offered it to him at a loss just so his customers abroad could try the product. When he finally started asking me how much my hopia actually cost, I knew it meant my hopia had started selling."

By the early 90s, he'd renamed his grandfather's business to Eng Bee Tin Chinese Deli and it has thrived to this day. The store has not only given him business success but also love. "My wife came here to buy hopia, she ended up with more than just hopia," laughs this father of three children.

Gratitude
"When I finally earned profit, I bought a firetruck for the Binondo Volunteer Fire Brigade," he says. "People called me crazy again, but I believe in being thankful for good karma. I was actually interviewed by Cory Quirino as a representative of the fire brigade first before she interviewed me about my ube hopia. If it weren't for my involvement in the fire brigade, I may have never been able to succeed in my business."

Gerry has seen firsthand the dangers to volunteer firefighters, having lost part of his finger in a fire. He'd been a volunteer firefighter since he was sixteen years old, inspired by his godfather, also a volunteer and the former owner of Chuankee Eatery. "When he saw my success with Eng Bee Tin, he bequeathed the eatery to me in the mid 90s," he says. Gerry wasted no time in creating Café Mezzanine on the second floor of the eatery. Aside from the profits of the coffeeshop, Gerry has already donated six firetrucks to the brigade, all colored bright purple, and an ambulance is in the works.

"Hardwork and perseverance can give you success," he says. "But you also need patience and gratitude. You have to learn to give back." Gerry points out that only one raw materials supplier agreed to sell to him during his bad times. "When I was no longer in debt, I continued to buy from him even if his prices were higher than the rest and even if I could get big discounts from wholesalers when I finally became president of the Philippine Bakers Association. I only stopped buying from him when he finally closed his business."

Grace
Never resting on his laurels, Gerry has continuously expanded his businesses and developed new product lines. His hopia now come in flavors like buko pandan and mocaccino and even in combos such as ube-pastillas and choco-peanut. His fondness for ube has been incorporated into tikoy and even siopao dough. "I like experimenting and trying out new things. People will eventually get tired if they keep on eating and seeing the same thing," he says.

In the same manner when he went to Pampanga to learn the making of ube halaya himself, Gerry still puts great weight in research and development. He travels to keep abreast of new techniques and shares the knowledge with his staff. "You must always be on top of things in running your business. If you gain, share it with your employees. Always be good, always do good, and don't expect anything in return," he says.

Sharing and serving come easy to this devout Catholic who espouses, "All your hard work won't go anywhere if you don't pray to God." He served as a barangay chairman of Binondo for close to two decades where he undertook various projects to improve the community such as street light installation and improvement of sewage and sanitation. In fact, for all that he's achieved in business and public service, he is most proud of the fact that he's created a text-based system, the first in the world, that allows anyone with a cellphone to report fires.

Gerry's four main enterprises are but a few steps from each other in a narrow stretch of street and each is small and slightly cramped, a visual and spatial symbol, perhaps, of his humility. Self deprecating and unassuming, he arrived for this interview in a plain purple shirt and would have been easily dismissed as another restaurant patron if it weren't for all the other patrons greeting him, full of warmth and pride, for this son of Binondo.

Playwright Tony Perez: seeing ghosts, bending time

Seeing ghosts, bending time
By Walter Ang
February 9, 2009
Philippine Daily Inquirer

Tony Perez is, depending on who you ask, popularly known as the founder of the Spirit Questors, a group of psychics who "communicate with earthbound human spirits and elementals in attempt to negotiate for the peaceful coexistence with human beings."

He is also known as the author of a series of books set in Cubao with eerie titles such as "Cubao Pagkagat Ng Dilim," "Cubao Midnight Express," and "Eros, Thanatos, Cubao," among others. Some readers know him as the author of a series of books on how to cast spells and perform wiccan rituals.

Perez wrote segments for the movie "Shake, Rattle and Roll VI." Students from De La Salle University-Manila, St. Scholastica's College and Ateneo De Manila University who have had him as a professor know of his passion for esoterica.

Aside from also being a poet, painter, graphic designer, illustrator, art therapist and fabric artist (by way of knitting), he is also known as a prolific playwright whose works are constantly staged by various professional and collegiate groups.

Given his background, it is no wonder, therefore, that his play "Saan Ba Tayo Ihahatid Ng Disyembre," to be staged by Philippine Educational Theater Association (Peta) this February, has been touted to be a "ghost play."

Metaphysical
The play revolves around Lalaki (alternately played by Julienne Mendoza and Jack Yabut) and Isa Pang Lalaki (played by Lex Marcos) and their love affair with the same woman, Babae (Angeli Bayani), who is torn between her feelings for the two.

These are the characters comprising "five generations of the David clan as they attempt to complete the unfinished painting of their Lolo, on the condition that it must be done only by an artist who has married into their fold."

But there is a fourth entity, Isa Pang Babae, who has, as Peta Artistic Director Maribel Legarda describes, "clairvoyant, clairaudient and clairsentient tendencies."

Prolific playwright Perez is quick to note that Disyembre, "is not just about ghosts. It is really more about elements of time and space manipulation, in that time is simultaneous in this play. It's very metaphysical."

Trilogy
Disyembre is actually the last of "Indakan Ng Mga Puso," a trilogy that Perez has written, the first two being "Oktubre, Noong Tayo'y Nagmamahalan Pa" and "Nobyembre, Noong Akala Ko'y Mahal Kita," both of which were staged at the Cultural Center of the Philippines in the 90s.

Last year, Perez won the National Book Awards for Drama for another trilogy of plays he's written. Collectively titled "Tatlong Paglalakbay," it includes "Bombita," "Biyaheng Timog," and "Sa North Diversion Road." The last play of which was adapted into a film in 2005 by Dennis Marasigan.

For "Indakan," the overarching theme for all three plays is friendship, love and compassion despite complications of betrayal, jealousy and anger. "There are two men and one woman in the first play, two women and one man in the second play," he says. "In Diseymbre, the third play, all `four' are present: two males and two females. All three plays are about making choices."

Challenge
While there is no need for audiences to have seen the first two plays since each of the three functions as an independent play, the fun (or challenge) for audiences in watching this third installment is the device employed by Perez of "time and space manipulation."

"The first act is set in the 1960s and ghosts from the future (2008) are in the same setting as the characters. In the second act, this is reversed and the ghosts from the 1960s are now with the characters in 2008. All the characters are superimposed on one another," he says. "It's now the job of the audience to determine who is who."

Perez has been writing plays since he was in high school at Ateneo De Manila University. His first Tagalog play saw its earliest incarnation while he was in the fourth grade and eventually became "Hoy, Boyet, Tinatawag Ka Na; Haingabi Na'y Gisng Ka Pa Pala" when he reached high school. It was staged by Dulaang Sibol in 1967. He was also involved for many years with Ateneo Children's Theater, starting out as "a monster designer" until he became its resident playwright.

While "Disyembre" was only recently committed to paper, Perez notes that it has always been fully formed in his mind. It was just a matter of timing until it could be written out and, finally, staged.

Disyembre will be directed by Nonon Padilla. The collaboration is familiar ground for Perez since both he and Padilla started out together as young artists working closely with Peta. Save for attending rehearsals to tweak some dialogue ("I adjust the lines to follow the speech patterns of the actors," he says), Perez trusts Padilla's choices completely. "I have no problems with his direction."

Saan Ba Tayo Ihahatid ng Disyembre runs from Feb. 6 to March 15. For details, call 410-0821 or 0918-906-8083. Email petampro@yahoo.com.

Also published online:
http://showbizandstyle.inquirer.net/lifestyle/lifestyle/view/20090209-188172/Seeing-ghosts-bending-time