Filipino American experts needed for pop-up art events in SF

By WALTER ANG
Aug. 22, 2019
USA.Inquirer.net
https://usa.inquirer.net/37740/fil-am-experts-needed-for-pop-up-art-events-in-sf

SAN FRANCISCO  The minds behind the seasonal pop-up Filipino American night market Undiscovered SF are now preparing to apply their same formula to the cultural arts.

Nonprofit Kultivate Labs is seeking experts in performing arts
and other Filipino American and Filipino art, academic and business disciplines. 

The nonprofit organization Kultivate Labs will be using pop-up events to gauge community needs and interest as part of their formula as they plan for a Filipino American cultural center in SOMA (South of Market) Pilipinas, the Fil-Am cultural district from 2nd to 11th Street bordered by Market and Brannan Streets.

The project is in collaboration with the Mayor's Office of Housing and Community Development, from which the group received a $275,000 grant. Asian Perinatal Advocates Family Support Services will also provide funding for the project.

Investment returns

Kultivate Labs executive director Desi Danganan says, "Our goal is to invest $100,000 into the arts and to produce $200,000-plus in economic activity.

"Kultivate Labs has a strong track record of investing public money into economic development programs like Undiscovered SF and doubling the return. Our goal is to take this magic and apply it to the arts to make it more sustainable and a driver for economic growth for SOMA Pilipinas."

The group began operating the monthly pop-up night market, which usually runs every third Saturday of July to October, in 2017.

"In 2017, we received a $125,000 grant to produce Undiscovered SF and we generated over $250,000 in economic activity for the Filipino American community."

In last year's installment, the group generated $270,000. "That's an 8% year over year increase. If we were a national economy, we'd be an Asian tiger."

Vision

Kultivate Labs envisions the center to be a "thriving, intergenerational community, cultural destination and living expression of history."

The organizers of Undiscovered SF night market are
planning to establish a Filipino American cultural center. 

In terms of tangible goals, "we imagine a new cultural center having a food court, a visual arts gallery, workshop space for artists, and a mid-size event space for dance, film, music, and the performing arts," he says.

Through the pop-up events and the eventual cultural center, Kultivate Labs plans on testing money-generating strategies in the next few years to prove that Filipino American culture can be an economic engine for the Fil-Am community.

Where the center will be located, how big it will be and what kind of design the space will eventually have will be plotted out depending on the feedback gathered from the pop-up events that will be programmed.

The first pop-up eventa free film screeningis already being planned. It's scheduled for October and will be held at that month's Undiscovered SF installment.

Ideas, nominees welcome

In the meantime, Kultivate Labs is forming a Programming Advisory committee with the goal of keeping the community's needs in mind.

Programming ideas for the series of pop-up events and nominations for the Program Advisory committee are being accepted at Kultivatelabs.com/cultural-center.

Kultivate Labs is accepting nominations for experts in Philippine and Filipino American History, Ethnic Studies and Museums/Curation; Traditional Philippine/Folkloric Arts; and Philippine Anthropology.

From the arts world, it seeks experts in Music, Dance, Performing Arts and Theater; Literary Arts; Contemporary Visual/Fine Arts; Media, Film and Applied Design.

From the business and civic sectors, it seeks experts in Filipino and Filipino American Culinary Arts and Restaurateurs; low-income families residing in the South of Market; the youth population of South of Market; as well as Arts and Culture-focused professionals in Development and Fundraising.

Filipino Canadian Marissa Orjalo stars in jazz 'Midsummer Night’s Dream'

By WALTER ANG
Aug. 8, 2019
USA.Inquirer.net
https://usa.inquirer.net/36427/fil-canadian-stars-in-jazz-midsummer-nights-dream

TORONTO  Filipino Canadian Marissa Orjalo is playing Hermia, one fourth of two pairs of lovers mistakenly mixed-up by magic, in a jazz adaptation of Shakespeare's comedy "A Midsummer Night's Dream."

Filipino Canadian Marissa Orjalo (left) plays Hermia
in the comedy "A (Musical) Midsummer Night's Dream."
Photo by Dahlia Katz

When some naughty fairies get involved in the romance of humans, enchanted lovers become infatuated with the incorrect person and a jinxed human becomes the object of affection of a fairy!

Visiting Ontario venues throughout the summer, the adaptation is titled "A (Musical) Midsummer Night's Dream." It is part of Driftwood Theatre's Bard's Bus Tour, which is now on its 25th year. The adaptation is by Kevin Fox, Tom Lillington and D. Jeremy Smith

"`Midsummer' is an excellent start into Shakespeare because it is one of his most well-known comedies," encourages Orjalo for audience members who are not familiar with Shakespeare and might be intimidated by his works.

"It's also quite easy to follow despite there being multiple narratives happening at once."

"I would also say if you are a new audience member to Shakespeare's plays, the best thing you can do is watch how the characters interact with one another," she advises.

"Rather than focusing on what the characters are saying the entire time, focus on the interactions! A lot of jokes and meaning behind the script will come out of character interaction and you'll find understanding the overall play to be quite effortless."

Background

Orjalo grew up in Oshawa City, Ontario and has been acting in film, television, commercials, and theater since she was five years old. She studied acting at Sheridan College and theatre academics at University of Toronto.

Marissa Orjalo (left) passionately advocates for Filipino representation on stage. 

Credits include "Twelfth Night," "Fletcher and Anderson Forget the Launch Codes," "Metamorphoses," and "The Next Room (or the Vibrator Play)."

Her mother is of French and Irish heritage and her father is Filipino.

"I'm extremely passionate about mixed-race representation in the entertainment industry because our identity is fluid in terms of what stories we can tell," she says.

"I also passionately advocate for Filipino representation because of my personal connection to its heritage and because the culture, the language Tagalog, and the experiences of the Filipino people in this country need to be told and represented. It's important for future generations to see the strength and influence of our people."

Laughs and gags

When preparing for working in Shakespeare plays, Orjalo reads the script multiple times.

"To decipher the language to find the meaning behind what Shakespeare has written for us; this includes defining words I don't understand, researching metaphors he wrote that we no longer use in our modern-day language, and marking out the iambic pentameter (or the rhythm) each passage must be spoken in."

For this particular production, there were other considerations as well.

"This is also a very movement-heavy and vocal-heavy show, so I implemented daily physical and vocal exercises to prepare for our first day of rehearsal."

As it turns out, making audiences laugh takes a lot of work. Orjalo explains that the cast spent time working with director D. Jeremy Smith "on characters, narratives, relationships, and conclusions."

"The process is all play and exploration! Midsummer Night's Dream is so rich with choices that exploring the different avenues of humor is a must! A lot of our rehearsal days have been spent laughing as we try to piece everything together.

As for the tour, Orjalos is excited to visit all the cities on the production's list of venues. "I hope to visit the Scarborough Bluffs when we are in that area and I'm very excited to tour to Kitchener because it's one of the places on our touring list I've never been."

"A (Musical) Midsummer Night's Dream" tours Ontario until Aug. 18, 2019. Visit Driftwoodtheatre.com.