Madcap rom-com on Fil-Canadian nurses tickles playgoers

By WALTER ANG
Aug. 23, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/14995/madcap-rom-com-fil-canadian-nurses-tickles-playgoers

TORONTO  A comedy about two very different Filipino nurses who immigrate to Saskatchewan but are constantly mistaken for one another is making the rounds of theaters in Canada.

In "Prairie Nurse," Belinda Corpuz (middle) and Isabel Kanaan (right)
play two nurses working in Saskatchewan
who are constantly mistaken for each other.
Photo by Joseph Michael

Inspired by real life events experienced by playwright Marie Beath Badian's mother, "Prairie Nurse" opens on August 24 at Thousand Islands Playhouse in Gananoque, just outside of Toronto.

This is a co-production with Factory Theatre in Toronto, where the show ran from April to May this year.

After Gananoque, "Prairie Nurse" is also scheduled to be staged by Prairie Theatre Exchange in Winnipeg, Manitoba in October.

Backstory

"My mom, Concepcion, immigrated to rural Saskatchewan from rural Philippines in 1967 and worked as a nurse in a small community hospital. She stayed two years before moving to Toronto," says Badian.

Playwright Marie Beath Badian.
Photo by Christian Lloyd

Badian visited Saskatchewan with her mother in 2007. She wanted to get in touch with people who knew her mother, and prior to the trip, she sent letters to several community newspapers asking if anyone remembered working with a Filipino nurse at Arborfield Memorial Hospital in late 1960s.

To Badian's surprise, many of the people who knew her mother still live and work in the area. The first thing they would ask though, was "Where's the other one?"

That's when Badian discovered that her mother had a Filipino coworker during her stay in Saskatchewan.

The scenario sparked the idea for the fictional story of "Prairie Nurse," where no one can tell two immigrant nurses apart, as they both grapple with homesickness and unfamiliar customs, including the hospital's lab technician who falls in love with one of them but accidentally courts both.

"I was tickled by the idea of what it must have been like back then when no one could tell them apart, when everybody thought they were like two-peas-in-a-pod but in truth had nothing in common other than nursing and the Philippines."

Special

The play just completed a July to August staging at Station Arts Centre in Rosthern, Saskatchewan-only an hour away by car from Arborfield, where Badian's mother was stationed.

"That production was very special. Throughout its run, I learned the audience often had friends and family of the real-life people who the characters are based on," she says.

"The response has been incredibly moving, and it is an honor to learn that the story not only resonated with them on a nostalgic level but also on a very present level with the growing population of Filipinos who continue to immigrate to Saskatchewan."

Filipino Canadian actors

A Toronto-native, Badian is also a director, performer and arts educator in addition to being a playwright.

Her other plays include "The Making of St. Jerome," "Mind Over Matter," and "Novena."

She has been playwright-in-residence for fu-GEN Asian Canadian Theatre Company, a member of the Hot House Creators Unit at Cahoots Theatre Company, part of the Tarragon Playwrights Unit, and a participant in the Soulpepper Playwrights Circle.

She is the artistic director of Smoothieland Performance Projects, a youth theater company she founded last year. "We just completed our pilot middle-school project and hope to launch a high school project next year."

The production opening at Thousand Islands Playhouse will feature Toronto-based Filipino Canadian actors Belinda Corpuz as Purificacion/Puring and Isabel Kanaan as Indepencia/Penny.

Both played the same roles in the Toronto Theatre staging earlier this year. Direction by Sue Miner, costume design by Anna Treusch, set design by Jung-Hye Kim and lighting design by Jareth Li.

Four in one year

The play received its world premiere in 2013 at the Blyth Festival and was published last year by Scirocco Drama.

"The Blyth Festival is a legacy theater festival in Canada. It has produced over 130 new Canadian plays in its short 44 years. Their mandate is to promote the stories of rural Canada," explains Badian.

Isabel Kanaan (left) plays Independencia and
Belinda Corpuz plays Purificacion
in Marie Beath Badian's "Prairie Nurse."
Photo by Joseph Michael.

Factory Theatre's artistic director, Filipino Canadian Nina Lee Aquino, saw the show that year and she shared the script with Thousand Islands Playhouse artistic director Ashlie Corcoran.

"Together, they programmed 'Prairie Nurse' as a coproduction for their respective companies for this year-2018."

"Here in Canada, often the larger theaters plan their seasons two to four years in advance in response to the multi-year funding cycles of the various municipal, provincial and federal arts funding bodies."

The separate productions at Station Arts Centre and Prairie Theatre Exchange-which brings the total number of productions this year to four-proved "delightful and surprising" for the playwright.

"It has been overwhelming. I'm honestly still processing it all. It is a privilege to have 'Prairie Nurse' staged across the country in succession."

"Prairie Nurse" runs Aug. 24-Sept. 15 at Thousand Islands Playhouse, 185 South St., Gananoque, Ontario. Visit 1000IslandPlayhouse.com.

Oct. 4-21 at Prairie Theatre Exchange, Portage Place, 393 Portage Ave., Winnipeg, Manitoba. Visit Pte.mb.ca.

Filipino American Patrick Mayuyu wins Aubrey Award for choreography

By WALTER ANG
Aug. 15, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/14735/fil-patrick-mayuyu-wins-aubrey-award-choreography

SAN DIEGO — Filipino American Patrick Mayuyu has won the Aubrey Award for Best Choreography for his work last year on Onstage Playhouse' staging of the musical "Spring Awakening."

Patrick Mayuyu won the Aubrey Award for Best Choreography.

The 53rd installment of the awards, presented by the San Diego Association of Community Theaters, celebrate the actors, designers, and production teams who contributed to the 2017-18 season. The ceremony was held at The Dana-Mission Bay Hotel.

"I was so happy to even be nominated," says Mayuyu.

"When they said my name that night, all of my `Spring Awakening' family stood up from the table so fast and screamed so loud!

"It was a very exciting and proud moment for me and the rest of the cast and crew who worked so hard on such a special and meaningful production."

Included in the production was Filipino American actor Peter Armado. "He was awesome to work with!" Mayuyu says.

"Afterwards, some of us went to our director's hotel room where we had a pizza party and a bottle of Moscato."

Telling stories

Born and raised in San Diego, Mayuyu joined a production of "Peter Rabbit" in second grade and "I've been hooked ever since," he says, laughing. "But I really got involved in theater starting with my high school drama club. I took our high school theater program really seriously and wanted to keep entertaining people and make new friends and tell stories."

A scene from one of Onstage Playhouse's 2017 staging of
"Spring Awakening" with choreography by Patrick Mayuyu. 

"That's where I met my favorite teachers, Laura Preble and Marilynn Zeljeznjak, as well as my best friend Kym Pappas, who I now make theater with. They all inspired me to pursue a life in the arts."

He also joined the Thespian Society and spent his youth attending its annual festivals and workshops. "I would meet other kids from all over who were as enthusiastic about theater as I was."

Choreographer, actor

On top of his choreography and acting, Mayuyu is a cofounder of San Diego-based Filipino American theater company MaArte Theatre Collective.

His recent choreography credits include "Xanadu" for OnStage Playhouse (running until Aug. 18) and "A Man of No Importance" for Coronado Playhouse (running until Aug. 25). He's also choregraphed shows such as "The Rocky Horror Show," "The 25th Annual Putnam County Spelling Bee," and "Scrooge the Musical."

"On occasion, I also choreograph for the San Diego State University Color Guard, where I'm also a performance consultant."

His acting credits include "Bat Boy: The Musical" (Ocean Beach Playhouse), "Taming of the Shrew" (Inner Mission), "A Chorus Line" and "Avenue Q" (Coronado Playhouse), and "Ching Chong Chinaman" (San Diego Asian American Rep), among others.

Huge fan

OnStage Playhouse artistic director Teri Brown had seen Mayuyu's previous work and approached him to choreograph "Spring Awakening."

The Tony Award-winning musical features music by Duncan Sheik and is based on the play by Frank Wedekind about teenagers grappling with their blossoming sexualities. The original Broadway cast included Jonathan Groff ("Hamilton," Kristoff in the Disney film "Frozen"), Lea Michele (TV series "Glee") and Skylar Astin (film "Pitch Perfect").

Mayuyu choreographed Onstage Playhouse's
2017 staging of "Spring Awakening."

"I'm a huge fan of the show," says Mayuyu. "I jumped at the chance and we just started exchanging all these ideas we had for the show."

"I've probably seen it more than 10 times and have been inspired every time, so I knew the story and it's music pretty well."

Nevertheless, approaching the material as a choreographer, he still had to prepare by analyzing the musical.

He collaborated with Brown to stay on track with the staging's objectives. "I had plenty of conversations with Teri to make sure we were on the same page. It was a wonderful collaboration. She gave me a lot of room to play and is such a cheerleader."

Beautiful

"I always ask myself, 'What am I trying to say?' and go from there. A lot of the work is created in the space with the actors, which is how I like to 'paint the picture' as we build a piece from scratch while also making sure the movement feels comfortable in everyone's bodies," he says.

"Every single soul in this cast told their character's story in their own beautiful way. It was a dream to watch them grow and pour their guts out on that stage every night."

Mayuyu is currently working on the choreography of "Revolt. She Said. Revolt Again." for InnerMission Productions. The production is an experimental work that deals with language, relationships, work, and life, opening on Sept. 15. He will also be playing the role of Frank in Sarah Ruhl's "Melancholy Play," also at InnerMission in November.

"In February 2019, I'll be in the world premiere of 'The Hour of Great Mercy' by Miranda Rose Hall, directed by Rosina Reynolds at Diversionary Theatre."

"MaArte Theatre Collective is currently working to produce a piece written by a San Diego local Filipino American playwright. Be on the lookout for details later this year!"

READ about the founding of Filipino American theater group MaArte Theatre Collective here.

Filipino American actor Jay Españo in all-male staging of 'La Ronde'

By WALTER ANG
Aug. 8, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/14483/fil-actor-jay-espano-male-staging-le-ronde

CHICAGO  Filipino American actor Jay Españo is currently in the cast of a present-day adaptation of a classic play about the clash of classes and sexual morals.

Jay Españo (left) with Matt Frye in an adaptation of "La Ronde."

Tony Award-winning playwright Joe DiPietro has adapted German playwright Arthur Schnitzler's controversial 1897 play "La Ronde," about a series of encounters between pairs of characters from different levels of society, with gay characters set in modern times as "F**king Men."

DiPietro's previous work includes "Nice Work If You Can Get It," "Memphis," and "The Toxic Avenger."

Produced by Pride Films and Plays, the show is currently running at the Pride Arts Center's Broadway Theater.

Modern, movement

In this present-day updating, the characters are now composed of ten men: a hustler; a soldier; two college students; a businessman and his spouse; an adult film actor; a movie star, his agent and a playwright-all of whom have physical and emotional desires to interconnect. Españo plays the businessman's spouse.

Españo (third from right) with cast of Pride Films and Plays' staging of Joe DiPietro's play.

Pride Films and Plays executive director David Zak helms the production.

"The show was done in 2010," explains Españo. "In this revival, they wanted it to be different and incorporate movement and dance." Choreographers Jake Ganzer, Daniel Hurst, James Mueller, and Katelyn Stoss were brought in to provide sensual action for the cast.

Juggling around

Españo has acted for different theater groups in the Chicago area. He used to act with theater company Tanghalang Pilipino in Manila (not to be confused with Tanghalang Pilipino ng DC based in Washington, DC) and did stints in Singapore as well, including a lead role in "Chang and Eng, the Musical."

"I am currently working full time with a theater company called Li'l Buds Theater Company. It produces children's theater all year round. We also teach after-school programs all around the city of Chicago.

Españo is also a part of Broadway BreakThru. "It's a group that is headquartered in New York, but it has a branch in Chicago," he says. "We teach Broadway musicals and sometimes invite Broadway actors to come meet our students."

Aside from acting, he also sings and directs. "On top of all of these things, I also teach yoga every day for CorePower Yoga."

Risque

"Although the play is very risque and the dialogue can be a bit crass at times, audiences love the show," he says.

Fil-Am actor Jay Españo (lef) is in an all-male adaptation of Arthur Schnitzler's controversial play.

Españo notes that he was also initially worried about how theatergoers might react to the dance and movement sequences depicting sexual encounters. "These scenes are vital to the play and the audience members seem to be on board with David's vision."

"We actually have had a few people who have come back and re-watch the show."

He's also observed differences in how certain demographics react to the play's subject matter.

"The older audiences are more focused on the dynamics of the relationships of the characters while the younger audiences, whether they are straight or gay, are totally into to the aspect of hooking up," he says.

"I had a gay couple come up to me after the show and tell me that one of them is the real Jack. That's the name of the character I play in the show."

Upcoming

After the play ends its run, Españo will continue to be involved with Pride Films and Plays as he will be helping curate and judge short films for its upcoming film festival scheduled for the fall.

Españo's own short film "Mahal," which he wrote and directed in 2016 and features Fil-Am actress Olga Natividad, is still making the rounds of festivals in the U.S. and internationally.

"Also, I'm presently in talks to do a staging of Shakespeare's `Love's Labor's Lost' and will be part of a production of `The King and I' in 2019," he says.

"For Li'l Buds, we are gearing up for the coming schoolyear and planning our Halloween and Christmas shows."

"F**king Men" is part of Pride Films and Plays' summer-long Pride Arts Center Pride Series, which includes five fully-staged productions.

"F**king Men" runs until Aug. 25 at The Broadway Theater, Pride Arts Center, 4139 N. Broadway St., Chicago. Visit Pridefilmsandplays.com.

READ about Jay Españo's short film "Mahal" here.

Filipino American Flordelino Lagundino is Park Square Theatre’s new artistic director

By WALTER ANG
Aug. 1, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/14253/fil-park-square-theatres-new-artistic-director

ST. PAUL, Minnesota — Filipino American Flordelino Lagundino as been appointed the artistic director of Park Square Theatre.

Flordelino Lagundino.

Lagundino was chosen with a unanimous vote by the selection committee after a five-month national search that attracted more than a hundred applications from across the country.

"My vision for Park Square Theatre is to have impact with bold, theatrical events which surprise and transform our audiences," he said.

"Together, we will build a theatre that represents us all; the story of inclusion will permeate every aspect of our organization, from the choice of plays-classical to contemporary-to the way we market our shows and sell our tickets, to faces that we see in our audience and how we interact with the community.

"We will build this theatre with love.

"Audiences will see it in the details and care we put into our productions. Students will feel it in how we welcome them into our theatre. The board will know it as they invite new friends to the hottest show in town. People who have been othered will see it when actors who look like them share their stories."

Across the country

Lagundino was most recently artistic director of Leviathan Lab, a theater company in New York City founded by Filipino American Ariel Estrada.

His work as an actor and director spans across the country.

His recent directing and acting work include productions in the East Coast for the Hudson Valley Shakespeare Festival and the West Coast for The Old Globe Theater in San Diego and the Oregon Shakespeare Festival.

Born in Takoma Park, Maryland, Lagundino has master's degrees in acting from University of Texas and in directing from Brown University (where he was a founding producer of Romp of Otters, the school's graduate theater company).

He previously cofounded Tsunami Theatre in Washington, DC, where he was artistic director until 1999. He was also founding artistic director of Thunder Mountain Theatre Project in Juneau, Alaska (founded in 2007), later renamed Generator Theater Company in 2009.

Lagundino is not new to the Minneapolis area. Last year, he worked at the Guthrie Theater, assistant directing "Blithe Spirit," and at Mixed Blood Theatre, acting in "Vietgone."

In a Facebook post, he wrote, "I ... am fortunate to be returning [to St. Paul] as one of the leaders of a theater that shares my love of theatrical possibility and of civic engagement by opening up space for all voices in our community to find their full expression."

Leadership

Lagundino will be the third artistic director in the history of Park Square Theatre, which was founded in 1975. He succeeds Richard Cook, who has been the artistic director since 1980.

"Flordelino is both a theater maker and a company-builder, which builds on our history," Cook said. "As a leader, he is ambitious for his fellow artists and professionals. Empathetic by nature, he listens intently and pulls people together to make things happen."

He begins his tenure on Aug. 1 and will overlap with Cook for a month as Cook prepares to retire on Sept. 1.

An exhibition celebrating the history and contributions of Park Square Theatre will be held at Landmark Center during September. A welcome reception for Lagundino is scheduled for Sept. 26.

A major contribution to the theater has bestowed the company's artistic director position with the official title of "The John W. Harris Family Artistic Director."

Currently playing at Park Square Theatre's Andy Boss Thrust Stage is Theater Mu's production of "The Korean Drama Addict's Guide to Losing Your Virginity," helmed by Mu's artistic director Fil-Am Randy Reyes. The romantic comedy runs until Aug. 19.

Visit Parksquaretheatre.org.

READ about Lagundino's recent involvement with Leviathan Lab here.

READ about Marlina Gonzales' play 'Isla Tuliro' staged in Minneapolis, Minnesota here.

READ about theater director Randy Reyes here.

Fil-Am N’Jameh Camara honors her lolo in ‘The Color Purple’ nat’l tour

By WALTER ANG
July 28, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/14159/fil-njameh-camara-honors-lolo-color-purple-natl-tour

WASHINGTON, DC  Filipino American N'Jameh Varona Camara is currently playing the role of Nettie in the national touring production of "The Color Purple," which opens in Washington, DC at The Kennedy Center on July 31 and runs until August 26.

N'Jameh Camara (kneeling, right) plays Nettie
in the national touring production of "The Color Purple."
Photo by Matthew Murphy

This tour is of the 2015-17 Broadway revival staging that won the 2016 Tony Award for Best Revival of a Musical.

Based on the 1982 novel by Alice Walker, the musical follows the journey of Celie, an African-American woman, who sacrifices herself to allow her sister Nettie to escape an abusive life.

The original Broadway production opened in 2005 where the Nettie character was originated by Renée Elise Goldsberry (Angelica Schuyler in "Hamilton"). Whoopi Goldberg played Celie in the 1985 film adaptation directed by Steven Spielberg.

Lolo

The tour kicked off in Baltimore, Maryland last year and has toured cities such as Atlanta, Des Moines, Pittsburgh, Boston, and Oklahoma, as well as several cities in states such as California, Texas and Florida. Its previous leg before DC was Chicago.

N'Jameh Camara.
Photo by David Muller.

Born and raised in the Midwest, Camara is proud to be a woman who has a Filipino mother and a Gambian father. The J in her first name is pronounced as a Y.

In her playbill dedication for the show, Camara states her performance is "for my Lolo," referring to her maternal grandfather Dr. Guillermo Varona.

When she was younger, as any teenager would, she got embarrassed when he praised her singing abilities.

"Every time he saw me, he would always tell me how beautiful my voice was and would share that with his friends and colleagues," she says.

"Now that he is gone from my life, I see what a treasure it was to have had that and him in my life. I know that I am the combination of my ancestors' decisions and perceptions on life."

"I honor him with my success in the performing arts because he affirmed me at 14 years old that I had a gift and to always put my faith in God and myself. He would always tell me how I would be on Broadway someday, and to keep working hard."

Journey

Camara's foray into theater began in the eighth grade when she auditioned for a school production of "The Sound of Music" and was cast as the lead character, Maria.

Camara honors her Filipino grandfather when she performs in "The Color Purple."

Support and encouragement from relatives and teachers led her toward studying theater. Camara received her master's in acting from UC San Diego and, in turn, has taught acting and movement workshops at various universities including Loyola University-New Orleans, University of California-San Diego, State University of New York-Oswego, Northern Arizona University and University of Central Missouri.

Previous credits include "X: or Betty Shabazz vs. The Nation," "Julius Caesar," "Up Here," "OjO," "Marguerite to Maya," and "Dance of the Holy Ghost," among others.

Camara was actually out of the country attending a conference when she found out that she landed the role of Nettie. "My fiancé and I went out for a celebratory drink! I was excited, nervous, anxious and in disbelief all at once!"

But more importantly, Camara felt it was a sign that all her hard work was paying off and that she was on the right path.

Lola

Now several months into the tour, she has been able to unearth truths about herself through the character she plays.

"I continue to discover how Nettie and I are similar, and I use it," she says.

"The other day my cousin posted on Instagram an old black-and-white photo of my maternal grandmother, Dr. Rose T. Varona, at 18 years old, dressed in traditional Ifugao clothing and playing a musical instrument. The caption read: "Losing tradition to whitewashing and assimilation."

"That's what happened when my grandmother came to this country. It was very hard for her not to assimilate and to be submitted to whitewashing."

Camara goes on to explain that Nettie also encounters similar experiences while she is in Africa, "watching her village get destroyed, all in the name of colonization and imperialism."

"I continue to discover Nettie when I am able to pull from my roots and form connections with her."

Food and fun

Meanwhile, she's taking in the visual, cultural, and culinary offerings of the different cities where the production has been touring.

"I loved the food and celebratory nature of New Orleans. I will eat blackened gator any day. I enjoyed the cheesesteaks and the history of Philadelphia, the enchanting river walk and history of San Antonio, the barbecue of Kansas City, the Motown museum and African American History museum in Detroit, and the community of downtown Charlotte."

The top of her list so far has been Los Angeles for one reason. "I loved being able to go to The Wizarding World of Harry Potter. Butterbeer, people!"

"The Color Purple" runs Jul. 31-Aug. 26 at Eisenhower Theatre, The Kennedy Center, Washington, DC. Visit Colorpurple.com.

Fil-Am Annelih Hamilton kills monsters in Seattle play

By WALTER ANG
July 20, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/13974/fil-annelih-hamilton-kills-monsters-seattle-play

SEATTLE  Actress Annelih Garciano-Holganza Hamilton will be slaying otherworldly creatures in Theater Schmeater's production of Vietnamese American playwright Qui Nguyen's "She Kills Monsters."

Annelih Hamilton (top row, right) in
Theater Schmeater's "She Kills Monsters."

Hamilton plays the character of Agnes Evans in this comedic romp into the world of fantasy role-playing games. Agnes finds a way to know more about her recently deceased sister-along with homicidal fairies, nasty ogres, and 90s pop culture-through her sister's refuge: the world of Dungeons & Dragons.

For television, Nguyen has written for AMC, Netflix, SYFY, PBS, and Marvel Studios.

Nguyen's other play, "Vietgone," is currently enjoying several stagings across the country. Writers Theatre's Aug.-Sept. Chicago staging later this year includes Fil-Am actors Rammel Chan and Emjoy Gavino in the cast; East West Player's Oct.-Nov. Los Angeles production will be helmed by Fil-Am director Jennifer Chang.

Engaging antics

"After Agnes loses her sister Tilly, she comes across a Dungeons & Dragons campaign that Tilly wrote. Agnes plays the game in an effort to learn about her sister since they didn't have much of a relationship," she says.

Annelih Hamilton hopes the play will inspire audiences to "life fully as possible."

Through the game, Agnes is able to play along and have an adventure "with" Tilly, as well as with a demon queen, a dark elf and a demon overlord.

Theatergoers need not be familiar with the Dungeons & Dragons game to go watch the show, reassures Hamilton.

"Also, in our production, we've got lots of puppets, stage combat, and even a dance battle, so there's lots of fun, engaging antics to watch!"

Credits

Hamilton was born in Anchorage, Alaska to Filipino parents (Hamilton is her married surname) and fell in love with acting while she was as student in middle school. She went on to study theatre performance at Chapman University in California and later took up a master's degree in theatre at University of Florida.

Hamilton previously acted in Seattle Children's Theatre's
one-actor play "The Lamp is the Moon."

She recently concluded a run at the Seattle Children's Theatre tackling the one-actor play "The Lamp is the Moon," as Shawn, a girl who dreams of becoming an astronaut.

Other credits include "Don't Split the Party" for Transparent Storytelling Theatre, "King of the Yees" for ACT Theatre, "Squatch! The Musical" Ensemble Centerstage Theatre helmed by Fil-Am director Sara Porkalob, and "The Realization of Emily Linder" for Taproot Theatre Company.

Games

While she herself does not play Dungeons & Dragons, Hamilton appreciates its appeal. "I can see why many people love the game. It's a chance to play characters in a magical world and you get to create that world with friends. It's a great way to build community and stretch your imagination."

When she was a child, Hamilton preferred playing the card game Uno. "I really enjoyed playing that with family during get-togethers."

As an adult, she's no technophobe"I occasionally play mobile games. I like puzzle games. My current favorite is 2048, a single-player sliding block puzzle game. The objective is to slide numbered tiles on a grid to combine them to create a tile with the number 2048. The highest I've gotten is 512, so I've got something to work towards!"

Nurturing relationships

Despite the overtly fantastical and comedic aspects of the play, and without giving away the story, the plot also touches on grieving and other "serious" topics.

Hamilton hopes that "audiences will be inspired to nurture the relationships that matter most to them."

She also hopes that watching the production, to be directed by Butch Alice, will encourage theatergoers to appreciate what life has to offer. "I hope they'll be inspired to create the world they want to live in and to live as fully as possible. I hope they'll be inspired to be silly, to play, and to kick ass!"

"She Kills Monsters" runs July 27-Aug. 18 at Theater Schmeater, 2125 3rd Ave., Seattle. Visit Schmee.org.

Fil-Am May Adrales wins Alan Schneider directing award

By WALTER ANG
July 11, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/13752/fil-wins-alan-schneider-directing-award

ST. LOUIS, Missouri  Theater director May Adrales has won the Alan Schneider Director Award from Theatre Communications Group (TCG), a support organization for theater companies and artists. A native of Covington, Virginia, she was born to Filipino parents.

May Adrales

Adrales was bestowed the recognition in St. Louis, Missouri, where TCG's annual national conference was held this year. Filipino American leaders TCG include board member Randy Reyes, artistic director of Mu Performing Arts in Minneapolis, Minnesota, and director of artistic programs Emilya Cachapero.

The award identifies and assists "exceptional directors whose talent has been demonstrated through work in specific regions, but who may not be well known nationally."

WATCH May Adrales accept her award.

The recipient receives $7,500 which may be used for travel, research, or related developmental activities.

Recent work

Adrales was named associate artistic director of Milwaukee Repertory Theater for its 2017-2018 season. She directed the group's productions of Ayad Akhtar's "The Who and The What" last year and an adaptation of George Orwell's "Animal Farm" earlier this year.

Scene from Milwaukee Rep's "Animal Farm" directed by May Adrales.
Photo by Michael Brosilow.

Adrales' work as a freelance director spans across the country. Of note, she has directed the world premiere (in Costa Mesa, California) and several stagings (New York; Ashland, Oregon and Seattle) of Qui Nguyen's play "Vietgone."

(Filipino American actors Flordelino Lagundino and Sherwin Resureccion were in the cast of a "Vietgone" production last year by Mixed Blood Theater in Minneapolis, Minnesota. This year, San Diego Repertory Theatre's Jan.-Feb. staging was directed by Jesca Prudencio; Studio Theatre's April-May Washington, DC production featured Regina Aquino, Marc delaCruz and Eileen Rivera. Writers Theatre's Aug.-Sept. Chicago staging later this year includes Rammel Chan and Emjoy Gavino in the cast; East West Player's Oct.-Nov. Los Angeles production will be helmed by Fil-Am director Jennifer Chang.)

Adrales is also known for her administrative and teaching work. She served as Director of On Site Programs at Lark Play Development Center, an Artistic Associate and faculty member at the Public Theater, spearheading its Shakespeare Lab, and directed and taught at Juilliard, New York University, Brown University, and Yale University, where she received her master's degree in directing and theater production.

Essentially American

In her acceptance speech, Adrales addressed the lack of Asians and women in the theater industry by noting that she had never seen Asians on stage until she saw Jessica Hagedorn's play "Dogeaters" at The Public Theater and that, in the early part of her career, she had never worked as an assistant director with a director who was woman or person of color.

Adrales is directing "The Way the Mountain Moved" for the Oregon Shakespeare Festival.

"Representation matters. Telling stories that have not found their way into the main stream matters. Dismantling stereotypes and reframing history to reflect those who have been left out of the telling of that history. This [award] matters. I am a living testament to that," she said.

"I want to show that work directed by me, or women like me, works written by women and or artists of color are not risky.  They are essential.  They are essentially American."

Upcoming

Adrales' upcoming productions include "The Way the Mountain Moved," which she directed for the Oregon Shakespeare Festival. The cast includes Fil-Am actor Julian Remulla.

The play, written by Idris Goodwin, is about a US Army lieutenant, a sharpshooter, botanist, and an artist who are surveying a route for the planned transcontinental railroad in the 1850s and the individuals (lost pioneers, cautious Native Americans and an African American Mormon couple) whom they encounter.

"We tell the story how the west was really won or lost by the escaped slaves, Native Americans, immigrants, and those fleeing religious persecution that inhabited it," Adrales said.

She is scheduled to direct Lin-Manuel Miranda's musical "In The Heights" for a co-production between three theater companies later in the year: Milwaukee Repertory Theater (Sept.-Oct.), Seattle Repertory Theatre (Nov. -Dec. 30) and Cincinnati Playhouse in the Park (Jan.-Feb. 2019).

WATCH May Adrales talk about "In The Heights"

Next year, she is slated to direct Lloyd Suh's "The Chinese Lady" for Milwaukee Rep (Feb.-March 2019), about Afong Moy, a woman from China put on display to the American public; and Qui Nguyen's "Poor Yella Rednecks," part two of his Vietgone trilogy, for South Coast Repertory (March-April 2019).

"The Way the Mountain Moved" runs July 10-Oct. 28 at Thomas Theatre,15 S. Pioneer St., Ashland, Oregon. Visit OsfAshland.org.

"In The Heights" kicks off in Milwaukee in September. Visit Milwaukeerep.com.

READ about May Adrales being appointed associate artistic director of Milwaukee Repertory Theater here.

READ about Randy Reyes being named a board member of TCG here.

Fil-Am lands lead in SF staging of 'Disney’s Hunchback of Notre Dame'

By WALTER ANG
July 8, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/13563/fil-lands-lead-sf-staging-disneys-hunchback-notre-dame

SAN FRANCISCO  Filipino American Alysia Beltran will play Esmeralda in "Disney's The Hunchback of Notre Dame" in a staging by Bay Area Musicals at Victoria Theatre.

Alysia Beltran will play Esmeralda in
"Disney's The Hunchback of Notre Dame"
in San Francisco.

Based on the Victor Hugo novel and on the animated Disney film, the musical features songs by Alan Menken ("Disney's Little Mermaid," "Disney's Beauty and the Beast") and Stephen Schwartz ("Wicked").

Esmeralda is a brave gypsy who is kind to Quasimodo, the hunchbacked bell ringer of the Notre Dame cathedral.

Set in 15th century Paris, the musical follows Quasimodo and Esmeralda as they deal with Dom Claude Frollo, Quasimodo's evil caretaker who hates gypsies but lusts after Esmeralda.

Other Filipino American actors in the production include Alex Rodriguez as Quasimodo and Juan Castro as Quasimodo understudy/ensemble actor, as well as ensemble actors Alvin Bunales, Christopher Juan, Jessie Anne Lukban, and Kaylamay Suarez.

The show is directed and choreographed by Matthew McCoy, with musical direction by Jon Gallo.

Inspiring character

Born and raised in San Francisco, Beltran's father is Filipino and her mother is Salvadoran and Colombian.

"I'm so lucky to have grown up in such a culture-rich city, around so many different people.  I wouldn't trade it for the world!" she says.

When Beltran found out she had landed the role of Esmeralda, she called up her boyfriend and her parents. "In tears. It was such an exciting moment in my life!"

Along with the excitement came the weight of responsibility she knows that the role carries.

"I knew at that moment that I had a huge challenge in my hands. Esmeralda is such an inspiring character, and someone I looked up to growing up.

"She always fought for the underdog and stood solely for social justice. She fought for progress and never let ability, race, or class stand in her way. Being a woman of color, it is an honor to be able to play a strong character fighting for her people!"

Hero of color

However, Beltran was not always a fan of the animated film.

Beltran (left, front) and the rest of the cast in rehearsals.

"To be completely honest, I was a little afraid of the movie growing up," she confesses. "But then again, I was also afraid of Ursula in 'Disney's The Little Mermaid!'"

But it was because of the Esmeralda character that Beltran soon grew to appreciate the musical more and more. "I remember looking up to Esmeralda as the hero in the story, someone who looked like me, fighting for what she believed in."

To now have the opportunity to play a character she identified with so much growing up is not lost on Beltran. "As an actress of color, being a part of this musical means a lot because I had few role models to look up to in the theater world growing up."

More love

Beltran has been dancing since she was four years old. She enrolled in a musical theater class when she was ten years old. "And I fell in love!"

"When the movie version of 'Rent' came out, my older sister would play the DVD non-stop. I saw an array of humans singing and dancing and that was when I knew that musical theater was the right place for me."

Beltran's recent dance credits include Kulintang Arts (Kularts)' staging of "Ba-e Makiling." Theater credits include "Gandhi! The Musical" (B Street Theatre), "The 1940's Radio Hour" (SJMT), "Hair" (Landmark Musical Theater), and "Spamalot" (Palo Alto Players).

Alex Rodriguez's recent credits include "Evita," "Triassic Parq," "Cabaret," "Bat Boy," "Rent" and "A Chorus Line." He is also an award-winning choreographer, recently winning arts service organization The Bay Area's 2016 award for best choreography for "The Wild Party." Recent choreography credits include "Jesus Christ Superstar," "Reefer Madness," "Silence! The Musical," and "Heathers: The Musical," among others.

Juan Castro is originally from Los Angeles. His recent credits include "Willy Wonka," "Into the Woods," "You're a Good Man, Charlie Brown," "Rock of Ages," "The Addams Family" and "American Idiot."

Beltran observes that stories with diverse characters are gaining popularity, giving "families everywhere the heroes to look up to that look like all of us."

She believes that the story of "Hunchback" is "so relevant today as people are still cast out from society for so many different reasons. My hope is that everyone walks away from the show with a little more love in their heart for others."

READ about Filipino American Justine Moral playing Belle in "Disney's Beauty and the Beast" here.

READ about Filipino American and Filipino performers aboard Disney cruise ships here.

"Disney's The Hunchback of Notre Dame" runs July 7- Aug. 5 at Victoria Theatre, 2961 16th St., San Francisco. Visit Bamsf.org.


'Emma the Musical' debuts in Edmonton

By WALTER ANG
June 27, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/13412/emma-musical-debuts-edmonton

EDMONTON, Alberta  A musical based on a real Filipino elementary school teacher's struggles during World War II will be performed at the Myer Horowitz Theatre on July 7.

Danielle Yu (left) as Emma and Julius Ylagan as Pruding in "Emma the Musical."

"Emma the Musical" was only supposed to be a mini-presentation for composer Erica Cawagas' great grandmother Emma Floresca's 95th birthday. Unfortunately, Floresca passed away in 2015, before her birthday.

To honor their matriarch, Cawagas and her aunt, the musical's playwright Chie Floresca, pushed the presentation further and developed it into a full-length production.

Set in a rural town near Baguio City during the Japanese occupation, the musical follows Emma's difficult choice of going into hiding or risking her safety to protect her community members; of struggling between the love of her devoted husband and the protective advances of a Japanese official.

The musical will be presented by the Filipino-Canadian Saranay Association of Alberta.

Music

An Edmonton native, Cawagas was raised in a musically inclined family-her mother is a piano and rondalla teacher.

Composer Erica Cawagas. 

After graduating from Grant MacEwan University where she took up music composition, Cawagas briefly worked in Manila with organizations such as UNICEF and Knowledge Channel Foundation.

Chie Floresca is a writer for television station ABS-CBN in the Philippines. Credits include drama program

"Ipaglaban Mo" "Pasion de Amor," "A Beautiful Affair" and "Engkwentro." In 2004, she wrote and directed the musical "Dula at Kwerdas" staged at the Citadel in Edmonton.

Shepherding the production along, Cawagas was able to win a Cultural Diversity in the Arts project grant from the Edmonton Arts Council last year to fund the logistics for the show.

Direction

While Cawagas will handle music direction for the show, she has approached Ida Beltran to direct and her spouse Jojo Lucila to choreograph.

Cast rehearsing for "Emma the Musical."

Beltran was a Ballet Philippines principal dancer and associate artistic director of Philippine Ballet Theater (PBT) while Lucila has choreographed for PBT and Hong Kong Ballet.

In Manila, both were cofounders of the Chameleon Dance Company and Teatro Silencio, a dance company of hearing impaired dancers.

After they moved to Canada in 2005, they created Chameleon Dance Edmonton, a dance group, and both currently head The Lucila Project, their performing arts organization.

Beltran also founded and is the executive director of the Philippine Arts Council, which handles the Edmonton Filipino Fiesta, among other programs.

Earlier this year, she was one of the ten recipients of the Edmonton Arts Council's 2017 Edmonton Artists Trust Fund.

Complex

"While the lyrics and dialogue are in English, the musical features music and conversation reflecting Filipino values and influences," says Beltran. "The creators also emphasize the universality of the themes of complex human and social relationships even to present times and in other places."

From left: Erica Cawagas, Ida Beltran-Lucila and Jojo Lucila.

"The cast is a mixture of seasoned performers, emerging artists and newbies. They were all very open, hard workers, and mature. In the end, it was such a joy to work with all of them."

Danielle Yu plays Emma. The rest of the cast includes Hannah Adamson, Jo-Ann Aguilar, Cassandra Baltazar, Simonette Brigola, Jimmy Buena, Marjorie Galido, Veronica Knodel, Mark Laraya, Catherine Lelis, Lauren Lizada, Micah Macatangay, Jeanine Naboye, Gerald Penaco, Raphael Tolentino, Riana Torrejon, Julius Ylagan and Joshua Zoleta.

"Emma the Musical" runs on July 7 at Myer Horowitz Theatre, 8900 114 St. NW, Edmonton. Visit Fb.com/mimayemma.


Ray Tagavilla: Private eye, cowboy, playboy in Seattle

By WALTER ANG
June 21, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/13261/ray-tagavilla-private-eye-cowboy-playboy-seattle

SEATTLE  Ray Tagavilla gets to play cowboys and playboys on stage. All because he had to repay a favor to a friend back in high school.

Ray Tagavilla in plays a stranger who arrives in town in "Smoked!"

When his friend collected on the favor, Tagavilla was asked to audition-though he had never acted before-for a production of "A Midsummer Night's Dream." The experience led him to eventually take up drama at University of Washington.

He has since worked with Seattle theater companies such as Northwest Asian American Theatre, Seattle Shakespeare Company, Sound Theater Company and A Contemporary Theater, among others.

Café Nordo

Tagavilla is currently in Café Nordo's "Smoked!," a spin on Spaghetti Westerns where he plays "an enigmatic stranger who comes to the town of Sauget to stir up some tumbleweeds."


Tagavilla (seated) in "Persimmon Nights" with Filipino American actors
Mara Elissa Palma (second from left) and Sara Porkalob (second from right).

Founded in 2009, Café Nordo began as a hybrid of pop-up restaurant and underground theater, staging productions and serving meals in venues in different parts of Seattle. It opened its permanent space, Culinarium, in Pioneer Square in 2015.

Tagavilla was an early collaborator of the group, becoming involved in 2010. "My first show with Cafe Nordo was `Sauced.' It was a noir show where I played a bartender who is secretly a private eye. Every show with Nordo has been an absolute blast, they work hard, they play hard."

It helps that the work environment-the actors perform in the dining area-allows for some occasional fun (and funny) surprises. In `Smoked,' there is a scene where his character asks the Sheriff if there's a barber in town.

"A lady that was seated near me shot her hand out and gave me a business card detailing her son's barber shop. She whispered, `You might want to try this.' I took her card, continued the scene with my co-actor and thanked the lady as I continued towards the bar for the next scene!"

Against type

"Smoked!" runs until July 1. Immediately after, he will be part of the cast of Café Nordo's next production, "Persimmon Nights," which runs July 12 to 29.

Written by Seayoung Yim, the play is a sultry tale about the rise and fall of a young, brash, handsome, reckless Korean immigrant who owns The Persimmon Grove, a lurid nightclub in the '60s and '70s, as he balances two lovers and many debts.

Playing private eyes, cowboys and playboys that are not simply negative stereotypes or inconsequential extras-but fully realized lead or support characters-are opportunities that are not taken for granted by Tagavilla.

"Playing against type has always been something I relish, especially as a Filipino American," he says. Born in the Philippines, Tagavilla moved to the US with his family when he was seven years old.

More

He recalls the early years of his career in the city. "When I started here, I didn't see a lot of other Asian actors. Especially Filipinos, the only other person I would see often was actor Jojo Abaoag."

Ray Tagavilla relishes playing roles that are against type.

"While I had and still do have a lot to learn, I soon had it in my head to show folks that Asians could play anywhere and not always be relegated to what people would call `Asian-centric' or `ethnic' shows."

"I've been incredibly lucky here in Seattle in that I've had many opportunities to play roles that aren't necessarily geared towards people who look like me."

For "Persimmon Nights" at least, he can enjoy the company of other Asian actors, including two Filipino Americans: Mara Elissa Palma and Sara Porkalob (who is also directing the show).

"The amount of actors-of-color I see nowadays compared to 2001 is absolutely mind blowing and it makes me want to cry, I'm so happy," he says.

Solo shows, new musicals

Sara Porkalob is also currently performing "Dragon Mama," a one-person show (which she also wrote) about her mother's "queer love in a barren land (Alaska) with a dope '90s R&B soundtrack."


In Café Nordo's "Smoked!" Tagavilla (left) plays a stranger,
seen here in an encounter with the sheriff.

This show is the second of her "Dragon Cycle" trilogy. The first installment was "Dragon Lady," about her gangster Filipino grandmother who immigrated to the US. The show runs at art venue 18th & Union until June 24.

She is also involved with "The Lamplighter," a musical she is co-creating with Kirsten Helland and Fil-Am composer Justin Huertas about "mothers, daughters, the painful truths of fairy- tales in an ever frightening world, and what would happen if the fate of the world rested in the hands of a little girl."

The developmental work will be performed as a concert and staged reading at 18th & Union from June 28 to July 1.

"Dragon Mama" runs until June 24. "The Lamplighter" runs June 28-July 1. 18th & Union, 1406 18th Ave., Seattle. Visit 18thandunion.org.

"Smoked!" runs until July 1. "Persimmon Nights" runs July 12-29. Café Nordo, 109 S. Main St., Seattle. Visit Cafenordo.com.

Ryan Cayabyab’s 'Noli Me Tangere' goes onstage in Honolulu

By WALTER ANG
June 12, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/13021/ryan-cayabyabs-noli-tangere-goes-onstage-honolulu

HONOLULU  Ryan Cayabyab's musical adaptation of "Noli Me Tangere" will be staged as a concert at the New Life Theater from June 14 to 16.

Cast of Honolulu staging of musical adaptation of "Noli Me Tangere."

The show will be sung in Tagalog but will include English narration and supertitles. Its title is Latin for "touch me not" and its plot is based on the novel by Jose Rizal of the same title.

The story is set in Spanish-colonial era Philippines and involves the lovers Crisostomo Ibarra and Maria Clara and the dark secrets and corruption that threaten their relationship.

The musical's libretto is by National Artist for Literature Bienvenido Lumbera. Cayabyab also composed the music for the musical "Ang Larawan," an adaptation of Nick Joaquin's "A Portrait of the Artist as Filipino" which was recently made into a film directed by former Broadway set designer Loy Arcenas.

Cast

Monique Wilson played Maria Clara in the original cast at the Cultural Center of the Philippines (CCP) in the 1990s. This musical version of "Noli Me Tangere" was most recently staged in Los Angeles in 2014, directed by Olga Natividad.

Mark Bautista played Crisostomo Ibarra in a 2011 staging in Manila. He was most recently seen onstage in the US in the Seattle run of "Here Lies Love," a musical about the life of Imelda Marcos.

In this Honolulu staging, Kristian Lei will essay the role of Maria Clara and Evan D'Angeles will play Crisostomo Ibarra.

Other cast members include Anna Davide as Sisa, Jay Flores as Padre Damaso and Julius Mina as Padre Salvi.

Honolulu

Aside from performing in the show, Lei is also the director and a coproducer. She was approached by Lorna Imperial-Seidel, president of Mid-Atlantic Foundation For Asian Artists (MAFFAA), to mount the production. MAFFAA had previously presented stagings of an opera version of "Noli" in Washington, DC; Richmond, Virginia; and Boston.

From left: MAFFAA vice president Ramon Sumibcay
and president Lorna Imperial-Seidel
at Tanghalang Pilipino (TP) office to acquire permission to stage "Noli Me Tangere."
With TP officers Carmela Manuel and artistic director Fernando "Nanding" Josef.

Imperial-Seidel acquired the rights to stage the Cayabyab-Lumbera musical from Tanghalang Pilipino, resident theater company at the CCP (not to be confused with Washington, DC-based performing arts group Tanghalang Pilipino ng DC).

Imperial-Seidel says, "`Noli Me Tangere' is a unique way to showcase Filipinos' rich cultural heritage through the arts."

MAFFAA vice president Ramon Sumibcay will play Maria Clara's father Kapitan Tiago.

Headliners

Evan D'Angeles was most recently in Mosaic Theater Company of DC's staging of "Paper Dolls," a musical about Filipino caregivers working in Israel.

He has performed on Broadway ("Miss Saigon" and "Pacific Overtures"), in national tours ("Rent," "Cats," and "The 25th Annual Spelling Bee"), and regional theaters ("Hunchback of Notre Dame" and others).

Kristian Lei was born in Cebu and moved to Hawaii with her family when she was still a baby.

After high school, she joined the cast of "Miss Saigon" in Germany. Other theater credits include Ti Moune in "Once on This Island" in Manila, Princess Nala in "Festival of The Lion King" in Hong Kong Disneyland, and Tuptim in "The King and I" in Honolulu.

Aside from her acting career, Lei also teaches voice in Oahu and Hilo.

She is also the founder of Honolulu Broadway Babies and the Joshua Earl Tanjuakio Hegwood Continuing Education and Performing Arts School, a production company that provides performing arts education and programs for developmentally and intellectually disabled members.

Lei says, "The music and voices will touch the hearts of all who experience this concert."

"Noli Me Tangere" runs June 14-16 at New Life Theater, 1190 Nuuanu Ave., Honolulu. Discounted tickets available for students, veterans and seniors. Call 808-223-6075 or 808-489-7148.

READ about the 2014 staging of Cayabyab's "Noli Me Tangere" in Los Angeles here.

READ about screening of "Ang Larawan" in San Francisco here.

READ about Evan D'Angeles in "Paper Dolls" here.

READ about Mark Bautista in "Here Lies Love" here.


Ma-Yi wins Obie Award for innovative theater

By WALTER ANG
June 6, 2018
USA and Canada Section, Inquirer.net
http://usa.inquirer.net/12806/ma-yi-wins-obie-award-innovative-theater

NEW YORK  Ma-Yi Theater Company has won the Ross Wetzsteon Award from the 63rd annual Obie Awards.

Ma-Yi Theater artistic director Ralph Peña accepts the Ross Wetzsteon Award at the 2018 Obie Awards.

The group was recognized at a ceremony held at Terminal 5, a music venue in Hell's Kitchen, along with this year's other winners for excellence in Off-Broadway and Off-Off-Broadway theater work.

Ma-Yi's artistic director and co-founder, Filipino American director, playwright and actor Ralph Peña, accepted the award.

The Wetzsteon Award is given to a theater company that demonstrates exceptional enterprise in its approach to classics or nurtures innovative new work. The award comes with a grant, with this year's amount at $3,000. The award is named after the Village Voice's former theater editor who helped create the Obies.

Costume designer William Ivey Long presented the award, noting that the Obie judges chose Ma-Yi because of its "mission to open up the theater to new forms and new voices. It has produced plays and musicals in every shape and form, many emerging from its Writers Lab, which claims to be `the largest resident company of Asian American playwrights ever assembled'" and that the Obies "salute this company's daring and spirit of enterprise."

Thanks

Peña thanked Fil-Am Jorge Ortoll, previously Ma-Yi's executive director and currently a board member. Peña also personally dedicated the award to his departed life partner and best friend Damien Bona.

"The Romance of Magno Rubio" earned Special Citations 
from the Obie Awards for Ma-Yi in 2003.

He later wrote in a Facebook post, "Thank you for all the well wishes . the honor belongs to all the artists, friends, and loved ones who subsidized our work over the years by working for little or no money, donating their hard-earned cash, and giving up precious time with family to help us make theater. And to our funding partners who continue to believe in our mission."

Ma-Yi was founded in 1989 and began as a Filipino American theater group before broadening its focus into Asian American theater.

This is not the first recognition for Ma-Yi from the Obies.

In 2003, for its production of "The Romance of Magno Rubio," Ma-Yi received Special Citations for Lonnie Carter (playwright), Loy Arcenas (director), and the entire cast, which consisted of Arthur Acuña, Ramon de Ocampo, Ron Domingo, Jojo Gonzalez, Orlando Pabotoy, and Peña.

The play, based on a short story by Carlos Bulosan, went on to be staged across the US and in Manila.

KPOP wins

Ma-Yi's Obie win comes at the heels of the sold-out 2017 run of the musical "KPOP," which it coproduced.

The musical "KPOP," coproduced by Ma-Yi, has won a slew of awards.

Produced by Ars Nova in association with Ma-Yi and Woodshed Collective, the musical has won a slew of awards: the Lucille Lortel Awards for Best Musical, Outstanding Lead Actress and Outstanding Featured Actor; the Off Broadway Alliance Award for Best Unique Theatrical Experience; and the American Academy of Arts and Letters' Richard Rodgers Award for Musical Theater.

Conceived by Woodshed Collective theater company and Ma-Yi Writers Lab member Jason Kim, the musical is about K-pop performers attempting to break into the American music industry.

Audiences are divided into groups and given a "backstage tour" of the K-pop singers' "training studios" in different rooms (across two floors in the show's 2017 venue). Each audience group follows the story of either a K-pop girl group or boy band (i.e., several storylines are performed simultaneously for different sets of audiences). The audience members are reunited when the storylines of the characters converge in a final concert.

Ma-Yi had been involved with the development of "KPOP" as early as 2012-in its earliest stages of inception. Fil-Am actress Julia Abueva was part of the cast.

Previous Obie winners

Ching Valdes-Aran, who won an Obie for Performance in 1996 for her work in Ma-Yi's "Flipzoids," was part of the judges panel this year.

Previous Fil-Am Obie winners in the Performance category include Ernest Abuba in 1983 for his work in Pan Asian Repertory Theatre's "Yellow Fever" and Mia Katigbak in 2016 for National Asian American Theatre Company's (NAATCO) "Awake and Sing!"

Katigbak is artistic director and cofounder of NAATCO, which won the Ross Wetzsteon Award in 2015.

Obies for Sustained Excellence have been awarded to Loy Arcenas for Set Design in 1993 and Clint Ramos for Costume Design in 2013.

Upcoming

Ma-Yi's next production is "Teenage Dick" (June to July), a reimagining of Shakespeare's "Richard III" set in a high school. Filipino Americans involved in the production include actress Tiffany Villarin and sound designer Fabian Obispo.

Later in the year, Ralph Peña will direct "The Chinese Lady" at the Sydelle and Lee Blatt Performing Arts Centerin Pittsfield, Massachusetts for Ma-yi's coproduction with Barrington Stage Company. Scheduled to run July to August, the play is about Afong Moy, the "Chinese Lady" brought to the US in 1834 and put on display to the public for 45 years.

Visit Ma-yitheatre.org.