Filipino American Sean San Jose named artistic director of San Francisco’s Magic Theatre

By WALTER ANG
July 21, 2012 | USA.Inquirer.net

SAN FRANCISCO  Filipino American actor, director and playwright Sean San Jose has been named artistic director of Magic Theatre.

Sean San Jose

San Jose previously cofounded multicultural theater company Campo Santo in 1996. As the group's Program Director, he helped develop, produce, and premiere new works.

He has also served as Program Director of arts organization Intersection for the Arts, overseeing productions of theater, dance, and interdisciplinary performances.

Plays he has written include a new "updated translation" of William Shakespeare's "Coriolanus" for the Oregon Shakespeare Festival and "Presenting . The Monstress," an adaptation of one of Fil-Am fictionist Lysley Tenorio's short stories.

San Jose is also a board director of Theatre Communications Group, a nationwide nonprofit that supports theaters, and he teaches at University of California-Berkeley.

Homecoming

It is a homecoming of sorts for San Jose since Magic Theatre is where he first saw a play and eventually joined a production that made him eligible to join Actors' Equity, the union for professional actors. Afterward, he performed there for several seasons.

A native of San Francisco, he was exposed to different artists and opportunities at Magic Theatre and received mentorship from fellow theater makers.

"It's impacted me in so many ways. I 'unofficially' trained there under two fabulous women, previous artistic directors Mame Hunt and Loretta Greco," he says.

The lessons he learned in theater-making were applied at Campo Santo; it was at Magic that he'd met some of his cofounders.

"Magic's influence on me has never left," he says. To be back and be tasked to now take the wheel, so to speak, "feels exciting and great." San Jose speaks of feeling fulfilled at being able to collaborate with both Campo Santo, which he will still be involved with, and with Magic Theatre.

Nurtured

One instrumental experience he had with Magic Theatre was Mame Hunt's support and nurturing of one of his very early-and personal-works.

"This was [a time before] we were called 'people of color.' I was at a younger age. It was an invaluable gift of empowering someone."

In 1996, San Jose conceived and staged "Pieces of the Quilt" at Magic, a project that collected vignettes from various playwrights about the AIDS epidemic.

The work was conceived to memorialize his mother's death in 1994 due to the condition. His father died soon after of the same cause. It was also because of her passing that he dropped his father's surname, Blackman, and began using her surname to honor her memory.

"I grew up here in San Francisco so we saw the AIDS epidemic all around us. At that time, people weren't seeing the human beings who passed away, all people could see was shame. On top of it all, I'm double Catholic, I'm Puerto Rican and Filipino, so no one was talking about it in my family. My lola was broken up about it but couldn't utter any words about it. For me emotionally, I wanted do something to respond to it, to show the human face of AIDS."

San Jose had originally conceptualized it to be performed during off-nights. Hunt disapproved his proposal because she wanted him to develop it into a main production. The work went on the run for three years.

(Magic Theatre has staged works by Filipino American playwrights:  "Dogeaters" and "The Gangster of Love" by Jessica Hagedorn" and "Grandeur" and "Reasons to Live" by Han Ong.)

New friends

Through his work with Magic and Campo Santo, San Jose believes that "theater is inclusive and intertwined with civic and social issues, not just cultural. Theater resonates with our real lives and can create dialogue."

"I've seen it work, it has impact and resonance. You always want to extend that possibility."

In the spirit of extending possibilities, San Jose is evolving the format of Magic Theatre's annual fundraiser gala from a sit-down dinner to an open-air party to make it more accessible to the community.

He wants to attract new audiences "by treating them as new friends, by creating a space that reflects the world that they live in. I'm interested in seeing the lifeblood, energy and different rhythms, languages and phenotypes reflected on stage."

"I'm excited about everyone we can bring in to share this with. But I want to ground the work first in the local community both as audience and generators of the art. We have incredible artists here in San Francisco."

"As someone who believes in the communities here in the Bay Area," San Jose says he wants to maximize Magic Theatre's reputation "to create programming that rightfully frames and centers the stories of people of color. Then the potential becomes infinite."

"The New Age of Magic" Magic Theatre 2021 Gala is on Aug. 5 at The Firehouse at Fort Mason Center for Arts & Culture, 2 Marina Blvd, San Francisco.

Visit Magictheatre.org.

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https://usa.inquirer.net/78207/fil-am-named-artistic-director-of-san-franciscos-magic-theatre

Filipino American Jay Españo named artistic director of Chicago’s PrideArts Theater

By WALTER ANG
July 8, 2021 | USA.Inquirer.net

CHICAGO  Filipino American Jay Españo has been named artistic director of PrideArts Theater Company.

Jay Españo

"I am terrified and excited at the same time. Terrified because this is a big responsibility. I have to make sure that I am fairly, properly representing everyone in the LGBTQ community," says Españo, referring to the lesbian, gay, bisexual, trans and queer community.

"Excited because, finally, we people of color, especially LGBTQ people of color, will not only get to bring something to the table but also be at the head of the table.

PrideArts was founded in 2010 to "change lives by improving the quality of LGBT theater and film for this generation and those to come." It utilizes stories with gay, lesbian, bisexual, and transgender characters or themes and "creates powerful theatrics and films that speak for the community and are essential viewing for all audiences."

"I feel fortunate that our voices are being heard and it seems like the world is ready to see more stories about us onstage and our remind them of our contributions to the world," he adds.

Españo has been acting for different theater groups in the Chicago area since the late 2000s. Before moving to the US, he was a member of theater company Tanghalang Pilipino in Manila (not to be confused with the group Tanghalang Pilipino ng DC based in Washington, DC) and did stints in Singapore, including one of the lead roles in "Chang and Eng, the Musical."

Paying it forward

His previous involvement with PrideArts include acting in "F**king Men" and choreographing "At The Flash." He has also judged some of its previous film festivals.

He has already presented his ideas to the board. "I presented my proposal of a season line up, its theme and explained how the plays are all somewhat related to the theme for a sense of cohesiveness. I actually enjoyed that part because I felt that I gave them an idea, a roadmap of where I plan to take the company."

He credits his mentors for exposing him to a wide array of experiences in the profession, thus enabling him to step into this role. "I've always enjoyed my time in Tanghalang Pilipno. I learned a lot from how Artistic Director Nonon Padilla ran the company."

In the same vein of how he learned from colleagues who paved the way before him, he wants to pass on what he's learned to fresh talent. "I have started interviewing possible interns as I am a big fan of getting the younger generation in helping build this company."

Turnaround

Planning for the future is something Españo does not take for granted. Just a few months ago, his circumstances were not the most ideal.

In the weeks before 2020 ended, both his husband and his 82-year-old father contracted COVID-19, causing their family to endure hospital stays and being isolated from each other.

And although his father was soon discharged from the hospital, Españo received another surprise on Christmas Day. "That morning, while I was frying some bacon for our big brunch at home, I suddenly couldn't smell it. It was also so abrupt. I could have sworn I still had my sense of smell when I took the banana muffins out of the oven just a few moments earlier." He, too, contracted COVID-19. 

A self-professed health buff who exercises regularly, eats right and even teaches yoga and a spin class, Españo was initially disheartened by his condition. He credits his spouse, Doug, Meyer with helping him spring back into action.

Support

Being open to ideas and support from others are lessons that Españo keeps to heart. Welcoming the involvement of the community is key to what he envisions for the future of PrideArts.

"I can't do this alone," he says to the organization's audiences and patrons in his video message as the new artistic director. "I will need your help because without you and your support there would be no PrideArts."

Now the work has begun. Españo will be programming shows for the organization's performing venue PrideArts Center in Buena Park.

Españo will direct the season's opening production in August, the musical "The Things I Never Could Tell Steven" by Australian playwright Jye Bryant.

The line-up includes the play "4000 Days" by British playwright Peter Quilter, a holiday cabaret "Christmas Karol: An Uptown Holiday Celebration of Diversity," and the play "When There Are Nine" by American playwright Sally Deering, a new work about Ruth Bader Ginsburg's last day on Earth.

Españo says, "My goal is to continue PrideArts' tradition of telling a diversity of queer community stories that not only entertain, but also encourage the audience to reflect on their own views, beliefs and biases."

Visit PrideArts.org.

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https://usa.inquirer.net/76905/fil-am-named-artistic-director-of-chicagos-pridearts-theater