Award-winning Filipino American author Cecilia Brainard shares creative writing tips

By WALTER ANG
Sept. 13, 2040 | USA.Inquirer.net

LOS ANGELES  Filipino American publisher and author Cecilia Manguerra Brainard is sharing her secrets, tips and techniques on how to write fiction and non-fiction with a revised and expanded edition of her book, "Fundamentals of Creative Writing."

In the book, the award-winning fiction writer, who taught for over 25 years at UCLA Extension's Writers Program and other universities, breaks down the basic elements of creative writing such as setting, scene, character, conflict, dialogue, plot and so on.

"Each section starts with a concept, followed by related exercises, and a story or two to illustrate the component discussed," Manguerra Brainard says.

She employs a "no-nonsense approach and provides straightforward guidance."

"This book is for anyone interested in learning how to write. It can also be used as a text book," she says.

Places

Manguerra Brainard has authored and edited over 20 books and runs the publishing outfit Philippine American Literary House. She shares that one way to get inspiration for writing is by visiting different places or taking cues from people you know.

"A place that I love will get my creative juices going. Many of my stories are inspired by the locale and its culture and history. I also have many stories inspired by the people I knew, or from my memories."

"Olvera Street in Los Angeles, for instance, inspired me to look into the first Filipino who came to California, a man named Chino."

After she visited San Miguel de Allende in Mexico, "a place with old Spanish colonial buildings, churches and cobblestone streets with charming fountains tucked into walls, old wooden doors with gorgeous carvings," she said she knew in her heart that she would have to write about it.

Good beginnings

"Indeed one day, this image of a woman came to my imagination. She's sitting at the Jardin facing the Parroquia de San Miguel Arcangel and starts talking about how she's been missing her husband who died during 9/11. She reminisces about the happy times they had in San Miguel. Under the brilliant sun and beauty around her, she comes to terms with her loss and metaphorically picks herself up and decides to go have a big glass of margarita."

Another place that has nudged many stories out Manguerra Brainard is Cebu. "I love that place and visit regularly. You can still find old houses, from the glory-days of the Parian there, and the old churches, fort, parks still stand. The place makes me think of my mother, her parents, and her grandparents who lived there.

This historic city appears in many of her short stories and in two of her novels "When the Rainbow Goddess Wept" and "The Newspaper Widow."

"To the aspiring writers, I want to say that there are stories everywhere. I like to encourage my students to keep their creative antennae up, and not focus about becoming famous or making lots of money from one's writing. Keep on writing, keep on reading.

"Learn the craft of writing by taking a good beginning class."

"Or read my book!" she adds with a wink.

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https://usa.inquirer.net/156515/award-winning-fil-am-author-shares-creative-writing-tips


These top LA hotspots will make your heart sing, says Filipino American crooner Jaime Barcelon

By WALTER ANG
September 4, 2024 | USA.Inquirer.net

LOS ANGELES  Filipino American actor and vocalist Jaime Barcelon is all about sharing. He will be sharing his talents once again in a series of shows in October.


This is a follow up to his sold-out debut concert last year titled, "The Heart of the Matter." Barcelon is collaborating with music director Gerald White with a brand-new repertoire of favorite classics with fresh arrangements.

Barcelon will be bringing a fresh take of arrangements on songs by all-time favorites like Stevie Wonder, Rodgers and Hammerstein, Johnny Mercer, Stephen Sondheim, Barbra Streisand and John Mayer.

Barcelon thinks of his audiences when he prepares for his shows. "These selections are close and personal to me," he says. "I want to make sure there's something everyone can enjoy."

Versatile

Barcelon has performed in both musical and concert galas for the nation's first professional Asian American theater organization, East West Players. Other theater credits include Fil-Am playwright A. Rey Pamatmat's "Edith Can Shoot Things and Hit Them" at Playwrights' Arena.

He has also acted in numerous network television shows spanning hit procedural dramas to sitcoms and films such as "American Auto," "Criminal Minds" and "9-1-1."

His single "Timeless," a medley that pays homage to traditional melodic pop of the '70s and '80s, is available on all streaming platforms.

Leisure

With so much going on in his career, Barcelon makes sure to get some downtime when he can and to be with loved ones. In addition to his singing, he also has a lot of information to share when it comes to having some fun.

"I have lived here in LA for so long now. I love recommending things to do and places to visit when friends and family visit."

Here are some of Barcelon's must-visit hotspots in the City of Angels:

Hollywood Bowl

"This is my favorite live music venue. This gorgeous amphitheater in the Hollywood Hills has such a rich history of great artists performing sell out concerts.  It's a unique experience of watching a performance under the night sky with the option to bring your own food and drink or visiting the establishments on site."

Kuya Lord Restaurant

Barcelon knows Fil-Ams and Filipinos love to eat. "Wonderful authentic Filipino food by Chef Lord Maynard Llera who won a James Beard award for Best Chef in California this year.

"His signature cuisine lies in applying techniques enhancing and reinventing traditional Filipino dishes."

Jon & Vinny's Italian restaurant

Another cuisine that Barcelon knows that Fil-Ams and Filipinos love is Italian. "This restaurant offers modern Italian fare with several locations in LA.  My personal favorite is their Corn Agnolotti pasta made with brown butter. New location just opened up in the valley which makes many of us very, very happy."

Bennie Bebe Fashion

"For Fil-Ams looking for Philippine formalwear, this is the best place to find Filipiniana and Barong Tagalog options in the city. From very traditional to more current designs - they carry a great selection.

The Gardenia Restaurant and Lounge

"If you are looking to enjoy an evening of dinner and a show, this is the place to go. It maintains the tradition of cabaret with an intimate dining experience and old Hollywood flair. This wonderful venue has become a musical home for me. It's no surprise that this is where my upcoming concert will be!"

"Jaime Barcelon: Live at The Gardenia" is on October 20 and 26. VISIT jaimebarcelon.com. Walter Ang is the author of "Barangay to Broadway: Filipino American Theater History." Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/156125/fil-am-crooner-jaime-barcelons-top-la-hotspots

Filipino American pens debut novel ‘Love Can’t Feed You’

By WALTER ANG
August 27, 2024 | USA.Inquirer.net 

NEW YORK  Filipino American Cherry Lou Sy is releasing her debut novel "Love Can't Feed You," described as a "tender yet searing coming-of-age novel about a young Filipina woman suspended between two countries, two identities, and two parents."

Filipino American Cherry Lou Sy

Readers will be introduced to Queenie, who is torn between her family's expectations and her own burning desires.

Queenie, her brother and their elderly Chinese father arrive in the United States from the Philippines to find that her Filipina mother, who'd been working as a nurse in Brooklyn for some time, is now a different woman than the one they knew.

On the cusp of adulthood, Queenie dreams of attending college but her parents can't afford to support both children. Stretching themselves to assimilate, her family begins to fall apart.

Queenie starts to explore the nature of her relationships with her mother, her father, her own sexuality and the new country she's immigrated to as she juggles her many identities: Filipina, Chinese, New Yorker, immigrant, daughter, sister, student, worker, woman, friend, lover.

Inspiration

"I was always interested in prose writing," says Sy. "I even got into an MFA program run by [Filipino American novelist and playwright] Jessica Hagedorn at Long Island University. She liked my prose but she praised my playwriting after reading a one-act I [had written]."

Sy then went on to an experimental playwriting program at Brooklyn College ran by author, poet and playwright Mac Wellman. "Mac was all about experimenting in not just form, but genre. He told me that I should work on a novel if I wanted to."

Sy was taking her master's in playwriting when she began working on the novel. "The story of the narrator, Queenie, wouldn't leave me," she says. "I saw myself in her and I could also see her as a student at Brooklyn College, where I was an adjunct lecturer, encountering people who are like her. Earnest, curious and hungry for change, despite or because of their histories."

"At the time, I was reading Marguerite Duras's 'The Lover' was haunted by the story of an impoverished 15-year-old white girl who has an affair with a rich 27-year-old Chinese man in French Indochina in the 1930s.

"I had never read anything like it, and it made me think of my own background being half-Chinese and half-Filipino.

"What if the protagonist of the book had a child with her Chinese lover? How would it have ended differently? I superimposed this question onto the dynamics of my own family - my mother was 17 years younger than my Chinese father - and began writing."

Frustations, grief, multitude

The story started to become more concrete during the pandemic. "Everything stopped. My career as a theater artist stalled. There was no pipeline for me to enter and Zoom theater was incredibly frustrating. I felt so disconnected with theatermaking as a practice and just started focusing on my novel," she says.

"It was also shaped by the death of my father. We thought that he was attacked because he had a head fracture and was found at a bus stop. He died two months later."

Though she initially tried to process her grief through theater work and had applied for fellowships, those efforts did not pan out. "That's when I turned to prose to deal with my grief," she says.

"The pivot seemed natural. The pandemic was the key event. It made me think about myself as an artist.

"Anyway, a story is like water. Just as water tries to find its way to the sea, a story will find a way to be told. And one can be both a playwright, a novelist and a multitude of other things."

There will be a book launch for "Love Can't Feed You" on Oct. 7, 2024 at Powerhouse Arena Bookstore, Brooklyn, New York. Walter Ang is the author of "Barangay to Broadway: Filipino American Theater." Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/155752/fil-am-pens-debut-novel-love-cant-feed-you


Children’s book on resilience, bayanihan inspired by Typhoon Odette

By WALTER ANG
Aug. 25, 2024 | USA.Inquirer.net

VANCOUVER  If you found one of your neighbor's lost possessions, you would most likely return it. But what if you found your neighbor's entire roof?

Filipino Canadian Stephanie Ellen Sy

That's the situation facing Maya in "A Roof!," a new children's book by Filipino Canadian Stephanie Ellen Sy with illustrations by Filipino Daniel Tingcungco.

In the book, Maya discovers a whole roof in her backyard one day after a typhoon. Determined to reunite it with its owners, she and her tatay roll it up and set out on a journey.

Along the way, they get help from a farmer and his carabao, some fisherfolk, a sapatero, a labandera, a kusinera and more of her neighbors. Together, they haul, heave, push and drag the roof. Will they succeed in finding the roof's family?

Based in reality

"I wrote this story while reflecting on Typhoon Rai (known as Typhoon Odette in the Philippines), which struck during Christmas 2021," says Sy, who was born in the Philippines and is now based in Vancouver.

Growing up in the southeast Asian region, destructive typhoons were a regular occurrence for Sy.

But having lived in Hong Kong, the US and Italy, she knows that not everyone in the world has been in the midst of a typhoon. "Recognizing that this experience is unfamiliar to many, I felt compelled to share its importance."

Typhoons are not the only element in the book inspired from real life. Returning house parts is, apparently, also a very real activity.

"A friend shared that, in her hometown, residents write their names and addresses on roofs to aid in their return after a storm. That's how it came into the story!"

Bayanihan

Sy shares that she wants to "shed light on the profound impact of these disasters while showcasing the resilience and strength of communities in the face of adversity."

"Natural disasters are unfortunately all too common in many parts of the world, particularly in Asia, where they significantly shape lives from the initial preparations through the arduous recovery process."

Because of this, she wants to highlight and celebrate the Filipino spirit of bayanihan-a community's collective effort to achieve a common goal - which she believes engenders "kindness, hope, resilience and solidarity."

She says that her book "underscores the importance of unity, compassion and cooperation in times of crisis."

Family dynamics

Sy also draws from family and relationships. "In the Philippines, a significant percentage of the population leaves the country to work [abroad], mostly women. As a result, many children are left to be cared for by their fathers or grandparents.

"I wanted 'A Roof!' to portray these evolving family structures, moving beyond the traditional nuclear model to reflect the realities of the migrant worker culture.

"I wanted this story to resonate with children of migrant workers, and single-parent households, reassuring them that their family dynamic is valid and shared by many others."

Sy says, "I write because it allows me to shed light on issues and share my experiences with those who might otherwise not be aware of them. Books have always transported me, and I want to provide the same escape and inspiration for other kids."

VISIT StephanieEllenSy.com. Walter Ang is the author of "Barangay to Broadway: Filipino American Theater." Available at Amazon, Bookshop and other online booksellers.

How a Filipino American author learned to destroy bridges

By WALTER ANG
Aug. 22, 2024 | USA.Inquirer.net 

HOUSTON, Texas  At a certain point in Filipino American Gabriella Buba's debut fantasy novel "Saints of Storm and Sorrow," a bridge may or may not be destroyed (no spoilers!).

Filipino American Gabriella Buba (left) and her mother Janette.

The only problem Buba had when she was working on the draft was "I had no idea how I was going to destroy an entire bridge," she says.

In the book, Maria Lunurin is a bisexual nun living a double life as she hides a goddess-given gift. To the world, she is a devoted servant of Aynila's Codician colonizers. Behind closed doors, she is a stormcaller, chosen daughter of the goddess Anitun Tabu.

While hiding from the Codicians and their witch hunts, Lunurin does what she can to protect her fellow Aynilans and the small family she has created in the convent. A decision Lunurin makes awakens Anitun Tabu's rage and puts everyone she loves in terrible danger.

Engineer

Buba's Filipino fantasy short stories have been anthologized in "Strange Religion: Speculative Fiction of Spirituality and Belief, & Practice and Of Stardust: A Queer Fantastical Anthology," among other publications.

She is also a contributor to "With Love: What We Wish We Knew About Being Queer and Filipino in America."

For authors who craft stories with situations they may not have knowledge of or personal experience with, there is always research to be done.

But instead of going to a library or Googling the information, Buba was able to turn to an expert she knew personally and intimately, her father Ervin, who is of Czech heritage.

"He was an architectural restorationist by trade and he helped me with all of the infrastructure and bridge building and destruction in the book.

"I worked on it with my dad researching bridge types and load and historical quicklime recipes. [What else do you expect] from an architectural restorationist's daughter?"

"My dad and I used to travel all over the world visiting churches, ancient aqueducts and roman bridges and my dad would tell me all about the stone and materials used and how they should be taking better care of their wood and bronze work."

"My father unfortunately passed away last year of pancreatic cancer. But he was also very proud of my writing and always supportive of my endeavors."

Family

The women in Buba's family also had a big hand in her development as a writer and in completing the book.

"My Auntie Rosie was an amazing resource, helping me double check my cultural and historical details and Tagalog spelling!

"I've always loved stories, my grandmother was a wonderful storyteller and poet, and I think she got me used to the idea of writing and telling stories.

"She had a little notebook on hand where she would write her poems. In fact, the poem included in the book is a tribute to one of my favorite of the myths she would share, the Tagalog Creation Story."

Buba's mother Janette was and is also a strong presence in her development as a writer. "She's always been the biggest supporter of my writing. When I was 7 or 8 I was very upset with how Disney ended `Pocahontas' and my mom helped me write a letter to the Disney headquarters where I helped them `fix' the ending of the movie.

"When I finished my very first original story at the end of high school, she helped me send it out to [a small publisher]. She has been my biggest cheerleader, and an amazing promoter of my book."

VISIT gabriellabuba.com. Walter Ang is the author of "Barangay to Broadway: Filipino American Theater." Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/155533/how-a-fil-am-author-learned-to-destroy-bridges


Filipino American theater director gives audiences a peek behind the scenes

By WALTER ANG
Aug. 17, 2024

CHICAGO  Filipino American actor and director Jay Españo is inviting audiences to see what it is like to do behind-the-scenes work for a theater organization with, what else, a show that is about putting up a show.

Filipino American Jay Españo (left), artistic director of PrideArts,
directing the cast of the musical "[title of show]" during rehearsals.

He is helming the musical "[title of show]" for PrideArts, where he is the artistic director.

In this musical by Jeff Bowen and Hunter Bell, two self-confessed nobodies in New York, make a pact to create an original musical to submit to a festival. With a looming deadline, the pair decide to follow the adage "write what you know" and set off to write a musical about writing a musical.

The show kicks off PrideArts' 2024-2025 season. Españo aims to let audiences get to know him and the organization a little better through the show.

"The show is about creating something out of nothing. It deals with the challenges that happens in and out of theater and how it affects the lives of people involved," says Españo, who is on his third year as artistic director.

"This musical draws a lot of parallelism with what's happening to us at PrideArts."

Evolving

"We are still evolving as a company. like the characters in the show, I am still learning as we go. The musical explores the creative process, collaboration, frustration, self-doubt. I've experienced all that in my work as an artistic director as I navigate what our next move will be."

When he stepped into the role of artistic director, Españo made a conscious effort to diversify the organization's play selection and feature playwrights of different backgrounds, new voices, new stories that local audiences have never seen before.

"Last year, we had a Singaporean play and a controversial play about the HIV crisis in the Black community," he says. "The challenge is always how to market these unfamiliar shows and entice new audiences to come to the theater."

The group refuses to become complacent. "After every production, we sit down, debrief and discuss what worked, what didn't work, what can we do better next time."

Nurturing

Españo is thankful for the prevailing dynamic of the city's theater milieu. "The Chicago theater community reminds me of Manila's," he says.

Before moving to the US, Españo was part of the actor's company of Tanghalang Pilipino, the resident theater group of the Cultural Center of the Philippines.

"It's tight-knit and everyone kind of knows everyone else. Unlike New York where the constant energy of competition is palpable, Chicago tends to be more nurturing, more supportive of theater artists."

This year, PrideArts is also collaborating with Fil-Am theater group Circa-Pintig. "We will be celebrating Filipino American History Month in October starting with a slate of activities," he says.

"I'm so excited to bring in Filipino stories to our audience. My dream is that, one day, we'll be able to produce an all-Filipino production."

"[title of show]" runs Aug. 23 to Sept. 2, 2024. Visit pridearts.org

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https://usa.inquirer.net/155247/fil-am-theater-director-gives-audiences-a-peek-behind-the-scenes

‘Unwrapping Lumpia’ art exhibit: Call for entries

WALTER ANG
AUG. 12, 2024 | USA.Inquirer.net 

CHICAGO  Submissions are being accepted for the upcoming "Unwrapping Lumpia: Deconstructing the Filipino American Identity" art exhibition.

(From left) Self portrait by Cesar Conde, the curator of
"Unwrapping Lumpia: Deconstructing the Filipino American Identity,"
which is accepting submissions until Aug. 18, 2024.
Works that will be featured in the exhibit include
Arriene Calingo's "Mei in Manila, digital art print on photographic paper, 2024
and Set Gozo's "Freedom," ceramic sculpture, 2024.

Curated by Filipino American painter Cesar Conde, the show aims to be "a powerful platform for Filipino American visual artists to explore, reclaim and redefine their cultural heritage and identity."

The exhibit, slated for Sept. 20 to Oct. 31 at The Catacombs, Epiphany Center for the Arts, is Conde's follow-up to the "More Than Lumpia" exhibit which was held last year in October, coinciding with Filipino American History Month 2023.

Presented by Conde Art Project in collaboration with Epiphany Center for the Arts, Likhaya and Sinag Chicago Art, the exhibit invites Filipino American artists to participate in this "thought-provoking and engaging art exhibit that delves into the complexities of Filipino American identity and experiences of individuals within this community."

Conde encourages interested Filipino American artists to submit works that "explore and express their personal journeys and reflections on identity.

"Works that share their perspectives on what it means to be Filipino American, how their cultural heritage influences their lives and how they navigate their identities in the diverse sociopolitical landscape of America."

Conde Art Project will donate 100 percent of its commission to Fil-Am theater group Circa Pintig.

Complex

"Much like Filipino Americans, lumpia is a popular traditional dish made of different ingredients, texture and complex flavor," explains Conde.

"In the current socio-political climate, where identity, belonging and representation are increasingly relevant, this exhibit offers a space for artists to engage with their roots, nurture their sense of self, and articulate what it means to be Filipino American."

"Using Filipino American identity as a source of empowerment is crucial not only for individuals but also for the community at large.

"By delving into their heritage, artists can uncover narratives that have been suppressed or erased by colonization, thereby reclaiming agency and autonomy over their own stories.

"This process of introspection and expression through art can help decolonize the mind, challenge dominant narratives and assert a sense of cultural sovereignty."

Challenging stereotypes

Conde believes that by engaging with questions surrounding identity, heritage and belonging, "Filipino American artists can contribute to broader conversations about diversity, inclusion and social justice in the United States."

"As a significant minority group in the country, Filipino Americans have a unique opportunity to shape the narrative, challenge stereotypes and advocate for social change.

"In the face of rising neo-fascism, increased incidents of Asian hate and other forms of discrimination, the exploration and celebration of Filipino American identity can serve as a form of resistance, resilience and solidarity."

Submission details

Submissions will be accepted until August 18, 2024. Accepted submissions will be announced on August 25.

Submit photo of works with at least 300 DPI resolution in jpg format, artist statement and artist bio here.

Artist bio must provide statement on what it means to be Filipino American and how your work reflects that.

Mediums in 2D and 3D are accepted. No video works accepted. Works must be professionally presented and ready to hang. Artwork not ready to hang will not be accepted.

Submit one to three works with one of which must be 12" x 12" or smaller. Artworks will be insured while on exhibit. 2D works cannot exceed 40 lbs. Maximum height for 3D works is 6 feet and 18"x18" width.

Drop off dates at Epiphany Center for the Arts are scheduled for September 15 and 16. Mailed artworks must arrive by Sept. 10.

Contact cesarcondeart@gmail.com or 773-412-7609.

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https://usa.inquirer.net/154990/unwrapping-lumpia-art-exhibit-call-for-entries

Filipino American uses boxing skills to direct family drama in LA

WALTER ANG
Aug. 9, 2024 | USA.Inquirer.net

LOS ANGELES — What happens when forty-something divorcee Connie, the family's black sheep who's been estranged for two decades, returns home for the 70th birthday of her glamorously overbearing mother?

In addition to prayers to the Santo Niño, karaoke and chicken adobo, she has to deal with her wayward son, tough-as-nails father, bougie sister with the white doctor boyfriend and flamboyant favorite aunt in a home "exploding in an uproar of hidden truths and harbored secrets."

Filipino American playwright Nicholas Pilapil's play "God Will Do the Rest" will have its world premiere at the Los Angeles Theatre Center, presented by Artists at Play and Latino Theater Company.

This family's drama will be helmed by Fil-Am director Fran de Leon. In a story where there is sure to be conflict, perhaps it helps when the director has a background in boxing.

Boxing

"In boxing, it's important to know when to go for speed, when to come in with power, when to block, when to slip and duck, and when to take a breather and just dance with footwork," says De Leon.

"I suppose it's the same with directing family interaction and conflict. A character shouldn't always come in hard, and never at the same pace. They never want to get hurt, and sometimes will block and counter a hurt by hurting back.

"Other times, they try to avoid and dance around the issue. For this family in particular, they are so much about slips and ducks that they've fallen out of sync, and no one wants to throw the first jab-cross, until finally they're up against the ropes and have no choice but to come in with a power punch.

Hilarious

Conflicts notwithstanding, there are laughs to be had. "Nicholas Pilapil wrote a play that is unapologetically and hilariously Filipino American, from characters having multiple nicknames, to the unleashed beasts we become when watching a basketball game, to the secrets we keep from each other in the name of protection.

"Just like every other Filipino American gathering, we're going to see a lot of food . because that's our collective cultural love language . let's be honest, something is always cooking in our houses, diba?" De Leon says.

Will non-Filipino theatergoers be able to relate to the material? "I would hope so. However, we're not going to bend over backwards and sacrifice authenticity to chase relatability. I don't think that serves anyone," she says.

"I believe that the more culturally specific and true we go, the more universally resonant the experience will be. So, to all the non-brown audiences, I promise you, you can relate to brown people's stories just as easily."

Process

De Leon has been involved with this play from its earliest incarnations. She portrayed the mother character in developmental readings.

"Having the chance to dive deep into one of the two lead roles has definitely helped as I shift over to director. I think in general, that's why people ask me to direct is because I very much see from the actor's perspective: to understand where each character is coming from, their intrinsic needs and methods of getting what they want out of life," she says.

Shifting from one role to another is one of the themes of the play. "I think that at one point or another, we've all felt like an outsider and misunderstood by those who share our DNA. For some, like Connie, you'll see it's blatantly obvious," De Leon says.

"We tend to take on roles in our families, sometimes taken, sometimes earned. But when something in our individual life shifts, when we evolve into something different, making it hard to stay within the confines of those roles, it throws off the family dynamics. How do we get it back, if at all? We get to witness this family effort [in this play]."

"God Will Do the Rest" runs Aug. 29 to Sept. 29 at Los Angeles Theatre Center. Visit artistsatplay.org. Walter Ang is the author of Barangay to Broadway: Filipino American Theater. Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/154871/fil-am-uses-boxing-skills-to-direct-family-drama-in-la

Filipino American fathers, sons in new novel ‘Everything We Never Had’

WALTER ANG
Aug. 13, 2024 | USA.Inquirer.net

SAN FRANCISCO  Becoming a father inspired Filipino American Randy Ribay to write his new YA (young adult) novel Everything We Never Had.

Ribay's son was born in 2020. His arrival during such a fraught period, when "much about the future was unknown," compelled him to look inward and consider what kind of father he wanted to be.

He considered not only the way he was parented, but also how he and his immediate family members were shaped by the community, society and historical circumstances around them.

The result is this new tome for ages 12 and up, described as "an emotionally charged and moving" novel about four generations of boys in the Filipino American Maghabol family, who grapple with "identity, masculinity, and their fraught father-son relationships."

Multiple perspectives

The thread begins in the 1930s with Francisco Maghabol, who moves to California from the Philippines but struggles to eke a living in the fields and faces violence from white men in town.

Later, Francisco has become a labor organizer. His son Emil refuses to follow in his footsteps.

In the 1980s, Chris is determined to prove that his overbearing father Emil can't control him.

In 2020, Enzo struggles to keep his anxiety in check as a pandemic breaks out and his abrasive Lolo Emil moves in. He begins to wonder if maybe he can help bridge the decades-long rift between his father and grandfather.

Told in multiple perspectives, each Maghabol boy forges his own path amid heavy family and societal expectations, passing down flaws, values and virtues to the next generation. How will Enzo be able to braid all these strands and men together?

Healing

Publishers Weekly has praised the book as having "[an] emotionally resonant tale . Compact storytelling richly layered with Filipino American culture and history provides the backdrop for each father-son relationship as the Maghabols confront personal and familial expectations in both past and present narratives."

Kirkus Reviews estimation of the book notes that "[this] strongly characterized novel covers the boys' struggles with identity against the backdrop of changes in American society. The many heartwarming and heartbreaking moments offer deep insights into intergenerational patterns and how one's life experiences and upbringing affect parenting and relationships . A powerful and moving family saga."

Ribay's other works include An Infinite Number of Parallel Universes, After the Shot Drops and Patron Saints of Nothing.

For the Chronicles of the Avatar series, he's written Avatar, the Last Airbender: The Reckoning of Roku.

"As I'd hoped, the process of writing helped me think through the questions that prompted me to draft the novel, but it also helped me heal," says Ribay.

"It gave me a deeper understanding of and appreciation for my own family, Filipino American history, intergenerational relationships, and love as an intentional practice."

Walter Ang is the author of Barangay to Broadway: Filipino American Theater. Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/154714/fil-am-fathers-sons-in-new-novel-everything-we-never-had

‘Blue’s Clues’ lola pens new play on AI and the elderly

By WALTER ANG
July 26, 2024 | USA.Inquirer.net 

TORONTO  Filipino Canadian Carolyn Fe's play "Aye Caeser," which touches on elderly loneliness and technology, will be part of the 2024 SummerWorks Festival in August.

Fe is popularly known as the Lola in the children's show "Blue's Clues and You!" She plays the grandmother of the show's host Josh, played by Filipino American Josh dela Cruz.

She's also the voice of Gabriela the Philippine Eagle, a post office manager with hot pink feathers, on PBS's "Work it Out Wombats!"

"Aye Caesar" will have a staged reading by Cahoots Theatre. In the play, Old Person goes online shopping and is assisted by Aye Caesar, a customer service representative. A relationship develops. A life is saved. Is their relationship real?

Inspired

Proudly turning 63 this year ("I'm so happy you asked!") and a seasoned artist herself, Fe constantly fights against stereotypes of what elderly performers are capable of. She champions the versatility and verve of experienced artists by getting out there and showing everyone what she's got.

Fe started out as a professional contemporary dancer who toured and choreographed her own professional dance company, then owned and operated a dance school. She has frontlined the Euro-jazz cover band DD Swank, singing in French, English and Spanish under the stage name Mama B.

Fe has released an album of her own original material, while still acting for the stage and for the screen, and running her own theater production company. She recently became a contributing author to Magdaragat: An Anthology of Filipino-Canadian Writing.

"Aye Caesar" is one of six plays that Fe wrote during her recent artist residency at Tarragon Theatre that focus on "the experiences of the older generation."

"Thus, eventually providing more work opportunities for the marginalized older women of color."

She points out that "the population is getting older. According to Statistics Canada, there will be three times more people aged 85 and older by 2050.

"Healthcare systems are not equipped to take care of the elderly above and beyond physical disabilities. The geriatric mental health workforce is ill-equipped and scarce. As a consequence of this workforce shortage, the role of the caregiver is fraught with physical, psychological and emotional challenges.

The festival

Fe says she was inspired by British science fiction writer and futurist Arthur C. Clarke's third law, "Any sufficiently advanced technology is indistinguishable from magic."

"This is where AI comes into the play. With all the advancements of AI, anything seems to be possible. Can technology ease and assist the elder community?"

For the festival, Fe will be playing the Old Person and paired up with a younger actor who will play Aye Caesar. "I usually don't like to act in my own plays as I feel there are enough actors of color, specifically Filipino Canadian actors, out there who should walk the boards.

"However, if my acting of the older character in my own play is any indication, it might be proof there are not enough professional older Filipino Canadian actors out there.

 "Thus my incentive to write stories that include the later-in-life demographics so they can see themselves represented enough to spark their dreams of an artistic life. Including for those who have felt or feel the arts are not a viable career path although deep down they have a yearning."

She's receiving support to keep writing more of these stories. Fe recently received the 2024 Joel Beddows Playwrighting Grant from Theatre francais de Toronto.

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https://usa.inquirer.net/154013/blues-clues-lola-pens-new-play-on-ai-and-the-elderly

Scandal no more: Filipino American performances 120 years after St. Louis World’s Fair

By WALTER ANG
July 23, 2024 | USA.Inquirer.net

ST. LOUIS, Mo.  Audiences attending the shows at the St. Louis Municipal Opera Theatre (or Muny for short) this year will get to see Filipino American thespians on stage in the next few weeks.

(From left) Filipino Americans Red Concepcion (Thernardier) and Emily Bautista (Eponine)
preparing backstage during The Muny's staging of "Les Miserables."

The Muny is considered as America's oldest and largest outdoor musical theater series.

Poignantly, 120 years ago, in the same park where the Muny stage is located, more than a thousand Filipinos were sent by the Philippine government to "perform" at the Louisiana Purchase Exposition, also known as the 1904 World's Fair.

The contingent included the Philippine Constabulary and its band, Boy Scouts, students, and midget siblings. Filipinos were "displayed" alongside Native Americans, Africans, dwarves and bearded ladies.

But the hit of the contingent (and of the fair) would be the Igorot, a blanket term for indigenous peoples from the Philippines' northern highlands.

With their scantily clad and tattooed bodies, the Igorot performed dances to gong music at scheduled times during the day.

Scandalous

The scandalous draw for fairgoers was the dog eating by the Igorot. It was something they only did occasionally for ceremonial purposes. But for the fair, it became a daily show.

In the following years, over 200 women and men would go on to perform in Igorot shows across the US, in cities like New York, Chicago, Los Angeles and San Francisco and other world's fairs in Portland and Seattle, among others.

(More information about the Filipino contingent at the 1904 World's Fair can be found in the book Barangay to Broadway: Filipino American Theater History.)

It is definitely a different milieu for today's Filipino American performers in theater, film, TV, online and other mediums. Thanks in no small part to many pioneering Fil-Am artists and activists along the decades who have worked to increase a foothold and gain visibility, recognition and respect in the different performing professions and industries.

Today

The Muny's staging of "Les Miserables" in June featured Emily Bautista (HBO Max's "Pretty Little Liars: Original Sin") as Eponine and Red Concepcion as Thernardier.

Bautista has performed as Kim in "Miss Saigon" on Broadway and on national tour. Concepcion is currently in Broadway's "Chicago" as Amos Hart.

In the musical "Waitress," opening on July 30, Lissa deGuzman will play Dawn.

With lyrics and music by Grammy Award winner Sara Bareilles, the story centers on Jenna, a baker who dreams of escaping her job, small town and rocky marriage. Adapted from the 2007 film, it's a celebration of friendship, motherhood and the magic of a homemade pie.

DeGuzman was last seen in St. Louis as Elphaba in the national tour of "Wicked" and she is currently the standby for Elphaba on Broadway. Other Broadway credits include Jasmine in "Disney's Aladdin" and "King Kong."

In "Anything Goes" in August, Spencer Jones will play Spit.

Cole Porter's hilarious musical comedy is a tap-dancing romp on the high seas where two unlikely pairs on the S.S. American set sail for true love and a boatload of comedic chaos.

Jones was in the Broadway cast of "Uncle Vanya" starring Steve Carrell (NBC's "The Office"). For The Muny, he has been in "The King and I," "Spamalot," "Shrek the Musical," "South Pacific," among others.

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https://usa.inquirer.net/153818/scandal-no-more-fil-am-performances-120-years-after-st-louis-worlds-fair

What these Filipino Americans wish they knew about being queer and Filipino in America

By WALTER ANG
July 18, 2024 | USA.Inquirer.net 

LOS ANGELES  A pioneering book on the experiences and insights of LGBTQ (lesbian, gay, bisexual, trans, queer) Filipino Americans is now available.

The book With Love: What We Wish We Knew About Being Queer and Filipino in America collects 68 inspiring letters from 50 Fil-Ams, sharing triumphs, setbacks and 10 heartfelt life lessons.

As conceptualized by editor Dustin Domingo, the book's prompt for its contributors was "imagine you could send a letter through time to your younger self . to inform, empower, comfort or share about your experiences ... [what] messages or lessons ... might have helped you better navigate your world?"

Domingo says the book, published by Kuwento Co., is a showcase of courage and vulnerability as contributors navigate societal norms, family dynamics and that "this compassionate journey informs, celebrates, and comforts those on their queer journey . whether queer, Filipino, or exploring intersectional identities," he says.

"Through this collection of heartwarming and poignant [letters], this book aims to offer insight, empathy and strength to those navigating .  identity, culture, and love."

Queer and here

Contributors to the book are those who are within the umbrella of the LGBTQIA+ (lesbian, gay, bisexual, trans, queer, intersex, asexual and other sexualities) community and are referred to as queer in this book, according to Domingo.

Domingo explains that "the call for submissions asked for contributions from folks who have lived experience in the US."

Contributing authors to the book are from Hawaii, Illinois, Massachusetts, New Jersey, New York, Oregon, Pennsylvania, Texas, Washington and some who no longer live in the US and are now based in Canada, the Netherlands and Australia.

Ages range from a contributor born in 1964 to a contributor born in 2002.

Domingo points out that the book is also a "major historical artifact" that can be passed on to future generations. "My hope is that With Love will boldly state that we were here, this was our experience, and you're welcome to use what we've learned to find ways to live authentically and to thrive."

Talk

Domingo has a doctorate in organizational leadership. In addition to his work in academia, he is a singer with the groups #FOURTY4B and With Filosophy; a podcast producer ("MeSearch," "The Stories We're Proud to Share," "Have You Met," and "Let's Circle Back."); and the director of curriculum for Lakas Mentorship, a Filipino American youth empowerment program.

Domingo and a few other of the book's contributors will be speaking at a panel discussion on July 24 at Teofilo Coffee Company's branch in Long Beach, hosted by the Filipino American National Historical Society's Orange County/Inland Empire chapter.

The discussion will be moderated by Pat Catalla-Buscaino, aka Dr. Pinky, founder and CEO of Kuwento Co.

Contributors who will speak at the panel discussion include:

LJ Balajadia, a trainer who enjoys long walks on short beaches and short walks to the refrigerator;

Arnel Calvario Ripkens, member of world-renowned dance crew the KINJAZ. Ripkens has piloted a dance therapy program serving neurodivergent youth;

Educator MJ BH and disabled queer educator and community organizer Megan Dela Cruz;

Therapist and licensed clinical social worker Ryan Dalusag, owner of Well-Being Heritage Therapeutic Services, a mental health therapy practice supporting Asian-American Pacific Islander adults; and

Disabled community organizer Warjay Naigan.

Domingo will be giving a brief background about the book, how it was developed, and a general overview of who are represented in the book.

Contributing authors will read excerpts from their letters and will discuss their experience with this process as well as what compelled them to write what they shared.

There will be a general discussion following where community members are invited to ask questions.

For details about the panel discussion on July 24, visit instagram.com/thewithlovebook. Walter Ang is the author of Barangay to Broadway: Filipino American Theater. Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/153481/what-these-fil-ams-wish-they-knew-about-being-queer-and-filipino-in-america

Carlos Bulosan Book Club to host Filipino American author talk in LA

By WALTER ANG
July 17, 2024 | USA.Inquirer.net

LOS ANGELES  Filipino American writers Laurel Flores Fantauzzo, Ricco Siasoco and EP Tuazon will be speaking at an author talk organized by the Carlos Bulosan Book Club on July 20 at the LA Library in Historic Filipinotown.

Fantauzzo is the author of My Heart Underwater, published by Quill Tree Books. In the book, Corazon Tagubio feels like an outcast at her Catholic school. Her father gets into an accident and become comatose. When a crush on her teacher Ms. Holden turns into something more and the secret gets out, Cory is sent to her relatives in Manila.

She has to see how the country that has shaped her past might also redefine her future. (The audio book of My Heart Underwater is narrated by Fil-Am Amielynn Abellera.)

Fantauzzo has also written The First Impulse, published by Anvil. Her essays have appeared in CNN Philippines, the New York Times, The Baffler and elsewhere. For her essay, "Under My Invisible Umbrella," she received the Carlos Palanca Memorial Award, the Philippines' most prestigious literary award.

She's been a finalist for the Philippine National Book Award and for the PEN/FUSION Emerging Writers Prize. Fantauzzo has taught writing and literature at the University of Hawaii at Manoa and Ateneo de Manila University.

Siasoco is the author of The Foley Artist: Stories, which includes nine stories that voice to the intersectional identities of women and men in the Filipino diaspora in America, including a straight woman attending her ex-boyfriend's same-sex marriage in coastal Maine, a college-bound teenager encountering his deaf uncle in Manila and a 79-year-old foley artist recreating the sounds of life but ultimately unable to save himself.

Siasoco is a writer, educator and activist whose work has been published in AGNI, Joyland, Drunken Boat and The North American Review.

He has taught at Columbia University, Boston College and the Massachusetts College of Art. He is a board member of Kundiman, a national literary organization dedicated to Asian American literature.

Tuazon is the author of A Professional Lola and Other Stories, which won the 2022 AWP Grace Paley Prize in Short Fiction. The book is a collection of short stories that "blend literary fiction with the surreal to present the contemporary Filipino American experience and its universal themes of love, family and identity."

Tuazon's work has appeared in The Rumpus, Lunch Ticket, Peatsmoke and Five South. They have been a finalist for the Prairie Schooner Raz-Shumaker Book Prize in Fiction and Five South Short Fiction Prize.

In their spare time, Tuazon likes to go to Filipino seafood markets to gossip with the crabs.

The author talk will be moderated by Carlos Bulosan Book Club Chair Jaime Geaga. The book club was established in 2017 and is a project of the Friends of Echo Park Branch Library.

This particular branch of the Los Angeles Public Library is located in the heart of Historic Filipinotown and houses a dedicated Philippine Heritage Collection that consists of several hundred volumes on Fil-Am life and culture.

The club's mission is to provide a forum to explore and learn about Fil-Am and other immigrant experiences through literature and art using various media, including print, audio and video formats.

The club was inspired by Carlos Bulosan's America Is in the Heart, a story of perseverance and sacrifice in the face of undaunting hardship to build a better life. The group's aim is to preserve "our collective memory by collecting the individual stories of our contributions in the building of America."

Visit carlosbulosanbookclub.org. Walter Ang is the author of Barangay to Broadway: Filipino American Theater. Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/153393/carlos-bulosan-book-club-to-host-fil-am-author-talk-in-la

Here’s where to experience Kulintang, indigenous music this month

By WALTER ANG
July 12, 2024 | USA.Inquirer.net

SAN FRANCISCO  Have you heard any indigenous and traditional Filipino music performed live lately?

Filipino Americans interested in learning more about and enjoying these different kinds of music will be glad to know that there are several shows this month that they can attend.

Well, in the Bay Area and in Hawaii, at least. But if you are not from these areas and would like these kinds of activities to come to your city or state, now you will know whom to contact.

This series of activities under the umbrella title "Uni at Ugat" is organized by House of Gongs, a group founded by Lydia Querian and her husband Ron, which focuses on Philippine tribal music and instruments.

"'Uni at Ugat' mean 'sounds and roots' in Manguindanao and Tagalog. House of Gongs is a grassroots movement that honors tradition and fosters innovation in music and arts," Querian says.

"By encouraging artists to integrate indigenous knowledge into their creative expressions, House of Gongs aims to bridge cultural gaps and support personal growth."

Rhythms

Gongs won't be the only kinds of instruments that will be involved in these performances. According to Querian, "kulintang music is more than just hitting gongs, it's based on traditional chanting, vocal music and boat-lute music."

"It is storytelling, healing and a celebratory art form. The melodic sounds and patterns in the music reflect years of passed down voices and oral history."

On July 23 at the Oakland Asian Cultural Center, "Rhythms of Mindanao" will showcase the music and the art of indigenous Philippine master artists and culture bearers will be co-presented with arts organization Kularts.

Featured performers include Talaandig artists Balugto and Waway, Maguindanaon artists Sata Egal Abdullah and Farid Guinomla, and T'boli artist Joel Ganlal.

"Many ethnic tribes in the Philippines play the kulintang, each with its own unique instrumental composition."

Geography 

Then it is off to Hawaii for "Uni at Ugat: Gongs of the River" on July 25. This unique experience will feature the music of renowned Maguindanaon artists Sata Abdullah and Farid Guinomla from Cotabato City, Philippines.

Querian explains that geography influences the way kulintang is played. "Ilod are downstream Pulangi River in Maguindanao and laya are upstream," she says.

Sata Abdullah plays ilod kulintangan. "The rhythms in ilod style are typically more structured and have a steady tempo. This can reflect the more reserved nature of the region's cultural practices."

Farid Guinomla, in contrast, plays laya kulintangan. "While the laya style rhythms are often more fluid, faster and dynamic, with varying tempos that can change within a piece. This reflects the region's more expressive cultural practices."

Its second edition of "Gongs of the River" will be on July 30, with workshops and music performances by Joel Ganlal of the T'boli and Waway and Balugto of the Talaandig.

New wave

Behind the scenes, House of Gongs is prepping the next wave of kulintang performers. It is currently conducting a music camp this month where a batch of musicians are learning to integrate Filipino gongs and indigenous musical instruments into their repertoire.

"Through this camp, we are providing them access to master artists from the Philippines, Filipino American experts from the music industry and from Hollywood."

"Our inaugural camp is an essential part of House of Gong's programming. We want to encourage artists to present new works at our next Gongsters Paradise Kulintang festival, which is the only kulintang festival in North America."

Visit houseofgongs.com or email thehouseofgongs@gmail.com.

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https://usa.inquirer.net/153080/heres-where-to-experience-kulintang-indigenous-music-this-month

‘Professional Lola’ inspired by Filipino American author’s love for family

By WALTER ANG 
July 9, 2024 | USA.Inquirer.net 

LOS ANGELES  Filipino American EP Tuazon has released A Professional Lola and Other Stories.

The book is a collection of short stories that "blend literary fiction with the surreal to present the contemporary Filipino American experience and its universal themes of love, family and identity."

As the book's title hints at, in one of the tales in the collection, a family hires an actress to play their beloved grandmother at a party.

Other scenarios that readers can encounter include a couple craving Filipino food robbing a panaderya (bakery), a coven of Filipino witches casting a spell on their husbands and a Lolo transforming into a Lola.

These are just a few of among the roster of pieces "beautifully grounded in culture and vividly and meticulously painted to make the absurd seem mundane and the commonplace, sinister."

Inspiration

In an interview with Berkely Fiction Review, Tuazon spoke of how instrumental his maternal and paternal grandmothers were in his upbringing. "Both of my Lolas .  regardless of what's going on, even if it's hard, even if they're having a bad day, they still took care of us.

"I thought of that as something really endearing but also professional. Despite who you're dealing with, I always saw my lolas [giving] us 100 percent of their love, almost like a professional," they said.

Tuazon also mentioned that they love to incorporate elements into stories to include "some sort of representation" of their background as a Filipino American.

They said in the interview, "There's writing out there by other Filipino Americans and there are a lot of other Filipino writers [whose work] I really like, but [they do not necessarily reflect] the kind of experience that I had growing up.

"I wanted to write a story based on those kinds of experiences from my point of view of what the culture is like. This is a love story to my family. Everybody has a different perspective of the Filipino American experience, but I wanted to share mine and there's a lot of humor to it."

Tuazon said that coming up with this collection of stories has "made me a lot closer to the people I love and care about and to my culture."

Process

Talking to Inquirer.net USA, Tuazon shared that they started writing in high school and college. "I fell in love with reading in college. I feel like I learned a lot from [the books] I love to read. Slowly, I learned."

"I used to find an author and read everything they've ever written. I'm still reading and learning and being amazed by all the new ways people can tell a story."

Tuazon mentioned Filipino American writers Jessica Hagedorn and Lysley Tenorio among their list of favorite authors.

When it came time to write their own book, Tuazon explained that the earliest story in the collection was written in 2017. "It took about two years to find homes for most of the stories in different magazines." Eventually, the stories were compiled into the book. "So the whole process of the book was probably seven years!" they added with a laugh.

Overall, Tuazon, wanted to feature stories about identity. "Lola, lolo, brother, sister, ate, kuya, husband, wife. Gender, sexuality, kababayan. In addition, I wanted to showcase different facets of the Filipino American diaspora."

Walter Ang is the author of Barangay to Broadway: Filipino American Theater. Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/152890/professional-lola-inspired-by-fil-am-authors-love-for-family

Creative writing 'playshop' launched for young Filipino Americans

By WALTER ANG
July 3, 2024 | USA.Inquirer.net

CHICAGO  Young Filipino Americans will get a chance to flex their imaginations and creativity, and even learn some archeology skills at the Hidden Treasures: Unearthing Our Stories Workshop from Aug. 2 to 4, 2024.

Organized by the NVM and Narita Gonzalez Writers' Workshop, this special weekend-long youth writers' program is open to kids and teens ages 8 to 18. Last day to register July 26, 2024.

Participants will learn to "create stories, poetry, even songs, in any form or media they choose" using prompts based on artifacts from the Field Museum's Philippine Heritage Collection. They will be guided through writing games, "dreamstorming" (the workshop's version of brainstorming), how to create a zine and a student showcase, among other activities.

"Join us for an incredible journey to the Philippines at the exhibit," says Mary Grace Bertulfo, the group's midwest program director.

"A 19th-century helmet and armor made of carabao horn. Colorful barangay (boat) and outriggers. Toys and games. Who knows what intriguing treasures the young writers will encounter? These artifacts can inspire and enrich their stories."

The workshop aims to make writing and storytelling fun. Parents and educators may take comfort in knowing that the workshop's instructors "will be encouraging the more tentative students to explore story forms and writing techniques they may be curious about, such as comics, poetry, creative nonfiction, short stories, essays, etc.," says the organization's vice-president Lisa Melnick Suguitan.

"We welcome students with any level of curiosity and skill. Instead of workshops, we call our writing sessions playshops. Often, kids approach writing with some nervousness. There's anxiety over tests, grammar and being graded. Writing can be a mysterious and challenging process.

"Our playshops bring joy to the writing process, exploration and innovation. The emphasis is on nourishing the young storyteller's creative process, celebrating taking creative risks.

"They can write on their phones or devices or in notebooks. They can write short stories, poems, essays, short stories or draw comics and manga. The choice is theirs."

Workshops

The workshop will be taught by the following Filipino American instructors who will help participants hone their skills and help them find ways to achieve their creative goals.

Writer, artist, educator and comics maker Isabel Garcia-Gonzales. Her zine Fledgling Comics has been included as required reading in college courses such as Introduction to Asian American Studies and Introduction to Creative Writing.

Lisa Suguitan Melnick has more than 35 years of experience as a writing instructor. She is the author of #30 Collantes Street.

Mary Grace Bertulfo has written for television (CBS) and children's education (Pearson Education Asia, Schlessinger). Her award-winning fiction, essays and poetry have appeared in Growing Up Filipino II, City of Big Shoulders, Dear Human on the Edge of Time, and various anthologies. She is the founder of Banyan Asian American Writers Collective.

Educator Michael Gonzalez is the founder and director of the NVM and Narita Gonzalez Writers' Workshop. He is a faculty member of the City College of San Francisco.

Heritage, legacy, stories

The NVM and Narita Gonzalez Writers' Workshop offers fiction writing workshops both in the US and the Philippines.

Founded in honor of Filipino novelist, short story writer, essayist and poet Néstor Vicente Madali Gonzalez, the workshop's mission is to encourage people of all ages, genders and ethnicities to discover writing as an expression of self and of others.

Some of Gonzalez's novels include The Bamboo Dancers, A Season of Grace: A Novel and The Bread of Salt and Other Stories.

"NVM Gonzalez believed that literature is the mirror of a people's collective soul to be cultivated with care and with creativity. We hope our workshops fulfill this mission," says Michael Gonzalez. "Inspired by NVM's life story, we develop programs that cultivate appreciation for fiction writing, visual arts, and music."

For details, visit nvmgonzalez.org. Walter Ang is the author of Barangay to Broadway: Filipino American Theater. Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/152511/creative-writing-playshop-launched-for-young-fil-ams

First-ever Filipino American theater festival in Chicago looking for playwrights

By WALTER ANG
July 1, 2024 | USA.Inquirer.net 

CHICAGO   Submissions for plays are now being accepted for the inaugural Chicago Filipino American Theatre Festival, which will be held in October.

The festival is organized by Fil-Am theatre and community arts organization Circa Pintig.

Selected submissions will receive a staged reading at the festival. Talkback sessions will be held after each performance with the artists involved in the play.

"The theme of the festival is 'Kapwa,' says Ginger Leopoldo, the group's executive director. "It is the same theme of our season this year."

The theme is about "connecting with kapwang Pilipino" through new theater works "focusing on the Filipino experience."

"This is our first festival for new works. We are accepting works from playwrights here in the US and globally."

In addition to providing a venue for new plays, the Chicago Filipino American Theatre Festival will also showcase readings and performances of the following plays: "Leaving Mother: Anak ni Tapia" by Lani Montreal; "The Butterfly of Chula Vista" by Giovanni Ortega; "Daryo's All-American Diner" by Conrad Panganiban; "Crossroads" by Foline Roos; and "Hail Mary/Maria" by RJ Silva.

Action through arts

The organization began its activities in 1986 and became Pintig Cultural Group in 1991. Pintig means "pulse" in Tagalog. Circa, which eventually became part of the group's name as its goals and ethos broadened, is an acronym for Center for Immigrant Resources and Community Arts.

Circa-Pintig prides itself on not just existing simply for entertainment or 'art-for-art's' sake. It sees itself as a theater group that engages community members in collective action through the arts.

For more than 30 years now, Circa-Pintig has been immersing its volunteers and students in using theater as a tool to tackle difficult topics that affect their communities. The group has touched on issues such as internalized racism, homophobia, economic exploitation and youth trafficking, in "creative and engaging ways."

Submission Information

Playwrights who identify as Filipino American, Filipino or with Filipino heritage "are deeply encouraged" to submit.

The submission must be an original 10 to 15-minute play or excerpts from full-length pieces. Submissions that have been previously produced or published will not be accepted.

Submissions must note if the play includes non-English languages (Tagalog, Bisaya, Spanish, etc.) and must include English translations.

The submission must begin with a front page that includes the work's title followed by the playwright's name, email and a 200-250 word playwright's bio.

A playwright may submit up to two plays but only one entry will be accepted. A script may have more than one author.

Include a character list not to exceed a cast of seven performers (who can play multiple roles if necessary).

The manuscript must be typed in at least font size 12 and pages must be numbered.

"We encourage you to send your best work that would enhance and amplify the Filipino narrative in the diaspora." Playwrights whose works will be selected will receive a small stipend.

The judges selecting works will be comprised of a panel of Circa Pintig playwrights and artistic associates, including Lani Montreal, Conrad Panganiban, Larry Leopoldo, Myra Kalaw, Giovanni Ortega and Luis Pascasio.

Submissions are due on July 31, 2024. Selections will be notified by August 31, 2024.

Email info@circapintig.org or visit circapintig.org. Circa Pintig is included in the book Barangay to Broadway: Filipino American Theater. Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/152312/first-ever-fil-am-theatre-festival-in-chicago-looking-for-playwrights

Filipino American books to read for the Fourth of July

By WALTER ANG
June 29, 2024 | USA.Inquirer.net 

The Fourth of July in the United States is a celebration of the country's independence. In the Philippines, it celebrates Philippine Republic Day, also known as Philippine-American Friendship Day.

That date holds a different significance when it comes to relations between the two countries as it marks Philippine-American Friendship Day.

According to the Filipino Veterans Recognition and Education Project, it is a day that "pays tribute to the long partnership between the two countries."

For a day that can hold so much meaning for so many different people, it can serve as an opportunity to reflect on what these themes mean for each of us individually and for our loved ones, our families, communities and, yes, nations.

What are the different meanings of independence? How is freedom interpreted by different people? What is being a nation supposed to be like? Does contemplating or learning about these ideas have to be serious or can it be done in entertaining ways? Or both at the same time?

What songs, movies, TV shows, YouTube videos, TikToks, podcasts, video games, plays, musicals, photos, paintings, sculptures, architecture, fashion, food, dances, games, sports and other activities do you think can help us think or feel more about these holidays' meanings?

In the meantime, here are some books with a mix of topics that can help you get in the mood for these holidays.

History of the Philippines: From Indios Bravos to Filipinos
Luis H. Francia

Begins with the pre-Westernized Philippines in the 16th century and continues through the 1899 Philippine-American War, the nation's relationship with the United States' controlling presence, culminating with its independence in 1946 and ongoing insurgencies.

The Filipino-American Kitchen: Traditional Recipes, Contemporary Flavors
Jennifer M. Aranas

Chef and teacher Jennifer Aranas takes readers on a gastronomic tour, from sweet and spicy to smoky and tangy, while transforming delicious native recipes into easy-to-make meals in this collection of over 100 recipes, which includes everything from appetizers to desserts. Innovative interpretations of recipes include Duck Adobo, Salmon Kilaw, Lamb Casoy, Ambrosia Shortcake, Hearty Paella, Sweet Halo-Halo Sundaes and more.

Fiction by Filipinos in America
Edited by Cecilia Manguerra Brainard

A collection of short stories conveying the history of Filipinos in America via fiction. Includes "A Scent of Apples" by Bienvenido N. Santos and "The Romance of Magno Rubio" by Carlos Bulosan. Other writers include Cecilia Manguerra Brainard, Luis Cabalquinto, Virgina R. Cerenio, Juan C. Dionisio, Alberto S. Florentino, Ligaya Victorio Fruto, Jean Vengua Gier, N.V.M. Gonzalez, Erlinda Villamor Kravetz, Paulino Lim, Jr. Manuel R. Olimpo, Julia L. Palarca, Oscar Peñaranda, Bienvenido N. Santos, Nadine Sarreal, Michelle Cruz Skinner, Samuel Tagatac, Linda Ty-Casper, Nenutzka Villamar, Marianne Villanueva and Manuel A. Viray.

Halo-Halo: A poetic mix of culture, history, identity, revelation, and revolution
Justine Ramos

In this poetry collection, Ramos writes not only about her experiences with immigration but also about the gifts of humility, knowledge and a passion for advocacy she found along the way. She insists that change, revolution and growth are possible in unity.

Empire of Care: Nursing and Migration in Filipino American History
Catherine Ceniza Choy

Choy combines extensive interviews with Filipino nurses across the United States and the perspectives of Philippine and American government and health officials. She contends that the origins of Filipino nurse migrations lie in the Americanized hospital training system during the early 20th century colonial occupation and how the culture of American imperialism continues to shape the reception of Filipino nurses in the United States.

Coming Full Circle: The Process of Decolonization Among Post-1965 Filipino Americans
Leny Mendoza Strobel

Strobel is a Professor of American Multicultural Studies and the Project Director of the Center for Babaylan Studies. Her book tackles the process of healing the colonized Filipino psyche through the recovery and re-imagination of Filipino identity and culture and developing new conceptualizations and frameworks about the Filipino American experience.  

Walter Ang is the author of Barangay to Broadway: Filipino American Theater. Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/152287/top-8-fil-am-books-to-read-for-the-fourth-of-july

First Filipino Canadian book festival set to launch in Vancouver

By WALTER ANG
June 26, 2024 | USA.Inquirer.net 

VANCOUVER  The first-ever Filipino Canadian Book Fest will be held July 12-14, 2024. The three-day festival aims to "empower, inspire and connect Filipino-Canadian communities through literature and art."

It will be held at two venues  the Collingwood Neighborhood House and the Massy Arts Society.

"With the Filipino Canadian Book Festival, we're carving out a space where our stories and voices can be heard loud and clear," says co-organizer Nathalie De Los Santos.

De Los Santos is author of Over the Rainbow, Beyond the Sea, Alice's Order and Hasta Mañana. She hosts the "Filipino Fairy Tales, Mythology and Folklore" podcast and is the creator of the bookstagram account PilipinxPages.

Other festival co-organizers are Dani Alcalde-Sidloski, manager of Massy Books, and Mia Bolaños, Filipino American writer, poet and cofounder of Sampaguita Press.

"[The festival] invites the Filipino community and the broader Canadian populace to delve into a literary and cultural feast that educates, entertains and enlightens. It is open to all who wish to explore and celebrate the rich heritage of the Filipino Canadian community," she says.

"It's about building bridges between generations and cultures within our community and beyond. This is a platform for dialogue, learning and growth."

There is a celebration of Filipino Canadian books and writers this year as this festival comes at the heels of the recently concluded Salaysay Literary Festival in Toronto. It was organized by the Salaysay Collective, a group of Filipino Canadian writers.

Activities

In addition to book sales, a slew of activities is scheduled for the festival, including panels, workshops and performances.

Authors and artists will be discussing "everything from diaspora dynamics to the future of Filipino literature."

There will also be "a bustling marketplace featuring Filipino-owned businesses, booksellers and artisans," and "cultural performances that promise to enrich and entertain all ages."

There will be an open mic, meet-and-greet and book signing with the contributing authors of Magdaragat: An Anthology of Filipino-Canadian Writing edited by edited by Teodoro Alcuitas, C.E. Gatchalian and Patria Rivera.

The publication includes poems, essays, short fiction, plays and speeches, showcasing a wide breadth of Filipino Canadian experience.

The festival will also bestow its first-ever CanDila Award to a chosen writer. The award is "to honor someone who is a voice in Canadian literature and is leading the way for our community; someone who creates opportunities for future writers and increases visibility for us all."

Panels

Panels include "World-building and Cultural Research for Storytelling," which will discuss the process of building intricate and believable worlds in fiction writing while balancing imaginative elements with real-world influences. Speakers include Tessa Barbosa (The Moonlight Blade), Samantha Garner (The Quiet is Loud), Roselle Lim (Natalie Tan's Book of Luck and Fortune)  and K.S. Villoso (Jaeth's Eye).

In the "Writing Between the Lines" panel, Christine Añonuevo, Jennilee Austria-Bonifacio (Reuniting with Strangers), C.E. Gatchalian and Vincent Ternida (The Seven Muses of Harry Salcedo) will be talking about the ways in which cultural heritage shapes stories and how balancing multiple genres can create unique and compelling works.

Hari Alluri (Our Echo of Sudden Mercy), Sol Diana, Therese Estacion (Phantompains), Phebe M. Ferrer and Marc Perez (Dayo) will tackle poetry writing in "The Poetry Prism: Shaping Realities."

Jim Agapito, Rina Garcia Chua, Chris Patterson/Kawika Guillermo, and Catherine Hernandez will share their thoughts in the "Makibaka! Maging Alamat! On Writing Revolution" panel.

The "Writing for Stage: Demystifying Playwriting and its Publishing Process" panel will include Davey Calderon, Karla Comanda, Kamila Sediego and Carmela Sison.

Visit filcanbookfest.squarespace.com.  Walter Ang is the author of Barangay to Broadway: Filipino American Theater. Available at Amazon, Bookshop and other online booksellers.

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https://usa.inquirer.net/152095/first-filipino-canadian-book-festival-set-to-launch-in-vancouver